Barr, Jim and Barr, Mary (1980) Contemporary New Zealand Painters, vol. 1, A-M Martinborough: Alister Taylor.
Barton, Christina (2008). Not getting it: [Book Review] ‘Hamish Keith, The Big Picture: A History of New Zealand Art from 1642’. New Zealand Books, 18(3) Issue 83
Beebe, Beatrice (1986). Mother-infant mutual influence and precursors of self- and object-representations. In J. Masling (ed.) Empricial Studies of Psychoanalytic Theories, vol. 2. Hillsdale, N.J.: Erlbaum, 27-48.
Blackmore, Susan (1999). The meme machine. Oxford: Oxford University Press.
Boehm, Christopher (1999). Hierarchy in the forest: The evolution of egalitarian behavior. Cambridge, MA: Harvard University Press.
.(2012). Moral origins: The evolution of virtue, altruism and shame. New York: Basic Books.
Boyd, Brian (2009). On the origin of stories. Cambridge, MA: Harvard University Press.
.(2012). Why Lyrics Last: Evolution, cognition, and Shakespeare’s sonnets. Cambridge, MA: Harvard University Press.
.(forthcoming). Experiments with Experience: Consilient Multilevel Explanations of Art and Literature. In Carroll, Joseph, McAdams, Dan, Wilson, E. O. (eds.) Darwin's Bridge: Uniting the Humanities and Sciences. Oxford University Press.
Brown, Gordon H. (1984). Colin McCahon, Artist. Wellington: Reed.
Brown, Gordon H. and Hamish Keith (1969). An introduction to New Zealand painting, 1839-1967. London; Auckland: Collins.
Butler, Rex (2010). Colin McCahon in Australia. Wellington: Victoria University of Wellington.
.(2012). Victory over death: The gospel according to Colin McCahon. Australian Broadcasting Corporation. 25 July.
Carroll, Joseph (2006). The Human Revolution and the Adaptive Function of Literature. Philosophy and Literature, 30, 33-49.
.(2012). The adaptive function of the arts: Alternative evolutionary hypotheses. In C. Gansel, D. Vanderbeke (eds.) Telling stories: Literature and evolution. Berlin: De Gruyter, 50-63.
Coe, Kathryn (2003). The Ancestress Hypothesis. New Brunswick, N.J.: Rutgers University Press.
Coolidge, Fredrick L. and Wynn, Thomas (2009). The rise of Homo sapiens: The evolution of modern thinking. Malden, MA: Wiley-Blackwell.
Cronin, Helena (1991). The ant and the peacock. Cambridge: Cambridge University Press.
Cross, Ian (2007). Music and cognitive evolution. In Dunbar, R.I.M. and Barrett, L. (eds.) The oxford handbook of evolutionary psychology. Oxford: Oxford University Press. 649-667.
Currie, Gregory (2009). Art of the Paleolithic. In Davies, S., Higgins, K. M., Hopkins, R., Stecker, R., and Cooper D.E. (eds.) A companion to aesthetics. Malden: Wiley-Blackwell, 1-10.
Curtis, Gregory (2007). The cave painters: Probing the mysteries of the world's first artists. New York: Anchor.
Davies, Stephen (2005). Ellen Dissanayake's Evolutionary Aesthetic. Biology and Philosophy, 20, 291-304.
.(2012). The artful species. New York: Oxford University Press.
Dawkins, Richard (2009). The greatest show on earth: The evidence for evolution. London: Transworld.
Dissanayake, Ellen (1974). A hypothesis of the evolution of art from play. Leonardo, 7(3), 211-218.
.(1988). What is art for? Seattle: University of Washington Press.
.(1995). Homo aestheticus: Where art comes from and why. New York, Free Press.
.(1998). Komar and Melamid discover Pleistocene taste. Philosophy and Literature, 22, 486-496.
.(2005). A review of The Singing Neanderthals: The Origins of Music, Language, Mind and Body by Steven Mithen. Evolutionary Psychology, 3, 375-380.
.(2009). The artification hypothesis and its relevance to cognitive science, evolutionary aesthetics, and neuroaesthetics. Special Issue on Aesthetic Cognition. Cognitive Semiotics, 5, 148-173.
.(2011). Prelinguistic and preliterate substrates of poetic narrative, Special Issue on Narrative and the Emotions. Poetics Today, 32(1), 55-79.
.(2013). Genesis and development of “Making Special”: Is the concept relevant to aesthetic philosophy? Special Issue: Aesthetic Experience in the Evolutionary Perspective, (eds.) L. Bartelesi and G. Consoli. Rivista di Estetica. 54, 83-98.
.(2014a). The artful species engages in art behaviours. Commentary on Stephen Davies, The artful species. Estetika: the Central European Journal of Aesthetics, 7(1), 101-104.
.(2014b). A bona fide ethological view of art: The artification hypothesis. In Art as behaviour: An ethological approach to visual and verbal art, music and architecture. (eds.) Christa Sütterlin, W. Schiefenhövel, Christian Lehmann, Johanna Forster and Gerhard Apfelauer. Vol. 10 Hanse Studies, BIS-Verlag der Carl von Ossietzky Universität Oldenburg, 43-62.
.(2014c). Denis Dutton: Appreciation of the man and discussion of the work. Philosophy and Literature, 38(1A), A26-A40.
Distin, Kate (2005). The selfish meme. Cambridge: Cambridge University Press.
Dunbar, Robin (1996). Grooming, Gossip, and the Evolution of Language. Harvard University Press: Cambridge, Massachusetts.
.(2005). Why are good writers so rare? An evolutionary perspective on literature. Journal of Cultural and Evolutionary Psychology, 3, 7-21.
Dunn, Michael and Vuletic, Petar (1972). Milan Mrkusich: Paintings 1946-1972.Auckland: Auckland Art Gallery.
Dutton, Denis (2000). Art and sexual selection. Philosophy and Literature, 24, 512-521.
.(2003). Authenticity in art. Jerrold Levinson (ed.) The Oxford Handbook of Aesthetics. New York, Oxford University Press.
.(2009). The art instinct. New York, Oxford University Press.
.(2014). A Darwinian theory of beauty: Denis Dutton's TED talk. Philosophy and Literature, 38(1A), A314-318.
Esman, Aaron (2009) Review of The art instinct. Journal of the American Psychoanalytic Association, 57, 1259-1263. <http://denisdutton.com/esman_review.htm>
Fenton, William N. (1987). The false faces of the Iroquois. Norman: University of Oklahoma Press.
Finlayson C, Brown K, Blasco R, et al. (2012). Birds of a Feather: Neanderthal Exploitation of Raptors and Corvids. PLoS ONE, 7(9): e45927. doi:10.1371/journal.pone.0045927
Fitch, W. Tecumseh (2005). The evolution of music in comparative perspective. Annals of New York Academy of Sciences, 1060, 29-49.
Forward, Roy (YEAR). McCahon: Talking to himself, Colin McCahon, Victory over death 2, 1970, National Gallery of Australia Research Paper no. 49.
Fretz, Rachel I. (2004). Dialogic performances: Call-and-response in African narrating. In Peek, Philip M. and Yankah, Kwesi (eds.) African folklore: An encyclopedia. New York: Routledge.
Fukui, Hajime (2001). Is music the peacock's tail? Human Behavior and Evolution Society Conference. London.
Gottlieb, Anthony (2009). The descent of taste, Review of The art instinct.The New York Times (January 29th 2009) <http://www.nytimes.com/2009/02/01/books/review/Gottlieb-t.html?ref=books>
Greenblatt, Stephen (2004). Will in the world: How Shakespeare became Shakespeare. New York: W. W. Norton.
Hasher, Lynn, Goldstein, David and Toppino, Thomas (1977). Frequency and the conference of referential validity.Journal of Verbal Learning and Verbal Behavior.16, 107-112. Heylighen, Francis (1998). What makes a meme successful? Selection criteria for cultural evolution. Proc. 16th Int. Congress on Cybernetics. Namur: Association Internat. de Cybernétique.
Horrocks, Roger (2001). Len Lye: A biography. Auckland: Auckland University Press.
Izuma, Keise (2013). The neural basis of social influence and attitude change. Current Opinion in Neurobiology, 23(3), 456-461.
Kaptchuk, Ted J., Kerr, Catherine E., Zanger, Abby. (2009). Placebo controls, exorcisms, and the devil. Lancet, 374(9697), 1234-1235.
Keith, Hamish (1970). Paintings with impact of a clenched fist. Auckland Star, 4 March. Quoted in Forward, Roy “McCahon: Talking to himself”.
.(1983). Images of Early New Zealand. Auckland: David Bateman.
.(2007). The big picture: A history of New Zealand art from 1642. Auckland: Random House.
Kirker, Anne (1986). New Zealand women artists. Auckland: Reed Methuen.
Klucharev, Vasily, Hytönen, Kaisa, Rijpkema, Mark, Smidts, Ale, and Fernández, Guillén (2009). Reinforcement learning signal predicts social conformity. Neuron, 61(1), 140-151.
Knight, Deborah (2014). Denis Dutton on cross-cultural aesthetics, forgery and performance. Philosophy and Literature, 38(1A), A41-47.
Kohn and Mithen (1999). Handaxes: Products of sexual selection? Antiquity, 73, 518-526.
Komar, Vitaly and Melamid, Alexander (1993). Painting by Numbers: Komar and Melamid's Scientific Guide to Art, ed. J. Wypijewski (New York: Farrar, Straus & Giroux, 1997).
Kostelanetz Mellor, Anne (1989). Mary Shelley: Her life, her fiction, her monsters. New York: Routledge.
Kuran, Timur and Cass R. Sunstein (1999). Availability cascades and risk regulations. StanfordLawReview, 51, 4, 683-768. <https://econ.duke.edu/uploads/assets/People/Kuran/Availability%20cascades.pdf>
Leech, Peter (1981). Milan Mrkusich: The architecture of the painted surface. Art New Zealand, 19.
Leonard, Robert (2006). Gordon Walters: Form Becomes Sign. Art and Australia, 44(2).
.(2009). Review of Hamish Keith's The big picture: A history of NewZealand art from 1642(TV series and DVD, Auckland: Filmwork, 2007; book, Auckland: Random House, 2007).Australian and New Zealand Journal of Art, 9(1).
Lessing, Alfred (1965). What is wrong with a forgery? Journal of Aesthetics and Art Criticism, 461-471.
Lewkowicz, D. J. and Turkewitz, G. (1980). Cross-modal equivalence in early infancy: Auditory-visual intensity matching. Developmental Psychology, 16(6), 597-607.
Lipo, Carl P., Hunt, Terry L, and Haoa, Sergio Rapu (2013). The 'walking' megalithic statues (moai) of Easter Island. Journal of Archeological Science, 40(6), 2859-2866.
Lynch, M. P., Kimbrough-Oller, D., Steffans, M. L., and Buder E. H. (1995). Phrasing in prelinguistic vocalizations. Developmental Pyschobiology, 28(1), 3-25.
Lyons, Elizabeth (1983). Demographic correlates of landscape preference. Environment and Behavior, 15, 487-511.
Mané-Wheoki, Jonathan (1995). The resurgence of Maori art: Conflicts and continuities in the eighties. The Contemporary Pacific, 7(1), 1-19.
Matthews, Nathan (2004). Physicality of Māori message. Junctures, 3, 9-18.
Matthen, Mohan (2010). Art and Selection, Critical Notice of The Art Instinct. American Philosophical Association, Central Division, February 18, 2010
McCahon, Colin (1966). Beginnings. Landfall, 20(4), 360-364.
.(1972). A survey exhibition. Auckland: Auckland City Art Gallery.
Miller, Geoffrey (2000). The Mating Mind: How Sexual Choice Shaped the Evolution of Human Nature. New York, Doubleday.
.(2001). How Sexual Selection Shaped Artistic Virtuosity as a Fitness Indictor and Aesthetic Preferences as Mate Choice Criteria. Bulletin of Psychology and the Arts, 2, 20-25.
Miller, Mara (2014). Denis Dutton's The art instinct and the recovery of Ainu aesthetics. Philosophy and Literature, 38(1A), A48-A59.
Minson, Marian. (1990). Encounter With Eden: New Zealand 1770-1870: paintings and drawings from the Rex Nan Kivell Collection, National Library of Australia/ Marian Minson, [Exhibition co-ordinator, Peter Ireland]. National Library of New Zealand, Wellington.
Mithen, Steven (1996). The prehistory of the mind: The cognitive origins of art, religion and science. London: Thames and Hudson.
.(2003). Handaxes: The first aesthetic artefacts. In Voland, Eckart and Grammer, Karl (eds.) Evolutionary Aesthetics. Berlin Heidelberg: Springer-Verlag.
.(2005). The singing neanderthals: The origins of music, language, mind and body. London: Weidenfeld & Nicolson.
Nehamas, Alexander. (2009). What does Evolution Say About Why We Make Art? Critical Review of The Art Instinct. American Scholar 118, 122-125
Niane, D. T. (1989). Sundiata: An Epic of Old Mali. Hong Kong: Longman Group.
Obrecht, Jas (2011). Ry Cooder: The complete Ali Farka Touré interview. Jas Obrecht Musical Archive.
Panoho, Rangihiroa (1992). Maori: at the centre, on the margins. In Barr, Mary (ed.) Headlands: thinking through New Zealand art. Sydney: Museum of Contemporary Art, 122-134.
Pelta, Kathy (2001). Rediscovering Easter Island: How history is invented. Minneapolis: Lerner.
Pinker, Steven (1999). How the mind works. London: Penguin Books.
.(2007). Toward a consilient study of literature. Philosophy and Literature, 31, 162-178.
Pound, Francis (1983). Frames on the land: Early landscape painting in New Zealand. Auckland: Collins.
Premack, D., & Woodruff, G. (1978). Does the chimpanzee have a `theory of mind'? Behaviour and Brain Sciences, 4, 515-526.
Prum, Richard (2012). Aesthetic evolution by mate choice: Darwin's really dangerous idea.Philosophical Transactions of the Royal Society of London B, 367, 2253–2265.
.(2013). Coevolutionary aesthetics in human and bioticartworlds. Biology and Philosophy, 28, 5, 811-832.
Reber, R., Schwarz, N., and Winkielman, P. (2004). Processing fluency and aesthetic pleasure: Is beauty in the perceiver’s processing experience.Personality and Social Psychology Review, 8(4), 364-382.
Roberts, M.B., Parfitt S.A., Pope M.I. and Wenban-Smith F.F. (1997). Boxgrove, West Sussex: rescue excavations of a lower palaeolithic landsurface (Boxgrove Project B, 1989-91). Proc Pre-hist Soc, 63, 303-358.
Roe, D. (1981). The lower and middle palaeolithic periods in Britain. Routledge and Kegan Paul, London.
Rose, David (2015). Part II commentary: Building successful identities with evidence-based practice – A commentary across the Pacific. In McCardle, Peggy and Berninger, Virginia (ed.) Narrowing the achievement gap for Native American students: Paying the educational debt. New York: Routledge, 132-150.
Rossano, Matt J. (2010). Harnessing the placebo effect: Religion as a cultural adaptation. In Frey, U. (ed.), The nature of God: Evolution and religion. Berlin: Tectum-Verlag, 111-128.
Rothenberg, David (2011). Survival of the beautiful. New York: Bloomsbury.
.(2013). Bug music: How insects gave us rhythm and noise. New York: St Martin’s Press.
Ryckmans, Pierre (2004). Ethics and aesthetics: The Chinese lesson. In Dessaix, Robert (ed.) The best Australian essays 2004. Melbourne: Black Inc, 141-146.
Sassoon, Donald (2001). Becoming Mona Lisa: The making of a global icon. Orlando: Harcourt.
Scalise Sugiyama, Michelle (2001). Narrative theory and function: Why evolution matters. Philosophy and Literature, 25, 233-50.
.(2005). Reverse engineering narrative. In Gottschall, J. and Wilson, D.S. (eds.) The Literary Animal: Evolution and the Nature of Narrative. Evanstone: Northwestern University Press, 177-196.
Schneider, William (1999). Considerations about the oral tradition and writing. In Partnow, Patricia H., Spatz, Ronald, and Breinig, Jeane (eds.) Alaska native writers, storytellers & orators: The expanded edition. Anchorage: University of Alaska Press, 274-276.
Schore, A.N. (1994). Affect regulation and the origin of the self: The neurobiology of emotional development. Hillsdale, N.J., Erlbaum.
Shields, Nathan (2015). Wagner and the Jews. Mosaic Magazine, January 2015.
Skinner, Damian (2008). The carver and the artist: Maori art in the twentieth century. Auckland: Auckland University Press.
Simpson, E. C. (1961). A Survey of the Arts in New Zealand. Wingfield Press, Wellington. Sparshott, Francis (1967). The concept of criticism. Oxford: Clarendon Press, 1967). Republished, 1999, by Cybereditions Corporation, Christchurch, New Zealand.
Stern, Daniel (1985). The Interpersonal World of the Infant. New York: Basic Books.
Synek, Erich and Grammer, Karl (1998). Evolutionary aesthetics: Visual complexity and the development of human landscape preferences <http://evolution.anthro.univie.ac.at/institutes/urbanethology/projects/urbanisation/landscapes/indexland.html>
Tague, Gregory F. (2001). The peculiar morality of the artist. Consciousness, Literature and the Arts, 2(2), July 2001 <https://blackboard.lincoln.ac.uk/bbcswebdav/users/dmeyerdinkgrafe/archive/tague.html>
.(2014). Making mind: Moral sense and consciousness in philosophy, science, and literature (Consciousness, Literature and the Arts). Amsterdam: Rodopi.
Tang, Patricia (2007). Masters of the sabar: Wolof Griot percussionists of Senegal. Philadelphia: Temple University Press.
Tolbert, Elizabeth (1990). Women cry with words: Symbolization of affect in the Karelian lament. Yearbook for Traditional Music, 22, 80-105.
Tooby, John and Cosmides, Leda (2001). Does Beauty Build Adapted Minds? Toward an Evolutionary Theory of Aesthetics, Fiction and the Arts.” SubStance 94/95: 6-27.
.(2005) Neurocognitive adaptations designed for social exchange. In Buss, D.M. (ed.) EvolutionaryPsychologyHandbook. Hoboken, N.J.: Wiley, 584-627.
Trafzer, Clifford E. (1999). Spirit and law in Native American narratives. In Monture, Patricia A, and Hulan, Renée (eds.) Native North America: Critical and Cultural Perspectives: Essays. Toronto: ECW Press, 64-82.
Trevarthen (1987). Brain development. In The oxford companion to the mind. (eds.) R.L. Gregory and O.L. Zangwill. Oxford: Oxford University Press, 101-110.
Trivers, Robert (1971). The evolution of reciprocal altruism. Quarterly Review of Biology, 46, 35–57.
Turner, Frederick (1985). Theneurallyre: Poetic meter, the brain, and time. In Natural Classicism. Charlottesville: University Press of Virginia.
Turner, Mark (1996). The literary mind. New York: Oxford University Press.
Voland, Eckart (2003). Aesthetic preferences in the world of artifacts – adaptations for the evaluation of honest signals? In Voland, Eckart and Grammer, Karl (eds.) Evolutionary Aesthetics. Berlin Heidelberg: Springer-Verlag.
Weaver, K., Garcia, S.M. and Schwarz, N. (2007). Inferring the popularity of an opinion from its familiarity: A repetitive voice can sound like a chorus.Journal of Personality and Social Psychology, 92(5), 821-833. Wellman, Henry M. (1991). From desires to beliefs: Acquisition of a theory of mind. In Whiten, Andrew (ed.) Natural Theories of Mind: Evolution, Development and Simulation of Everyday Mindreading. Oxford: Basil Blackwell, 19-38.
Whiteley, Shelia (2006). Popular music and the dynamics of desire. In Whiteley, Shelia and Rycenga, Jennifer (eds.) Queering the popular pitch. New York: Routledge, 249-262.
Whiten, Andrew (1991). Natural Theories of Mind: Evolution, Development and Simulation of Everyday Mindreading. Oxford: Basil Blackwell.
Wilson, Rodney (1976). Formal abstraction in post-war New Zealand painting. Art New Zealand, 2.
Woideck, Carl (1998). Charlie Parker: His music and life. Ann Arbor: University of Michigan Press.
Wood, Agnes (1997). Colin McCahon: The man and the teacher. Auckland: David Ling.
Wymer, J. (1983). The palaeolithic age. Croom Helm, London.
Zahavi, Amotz. (1975). Mate Selection: A Selection for a Handicap. The Journal of Theoretical Biology, 53, 205-214.
Zahavi, Amotz and Zahavi, Avishag (1997). The Handicap Principle: A Missing Piece of Darwin's Puzzle. New York: Oxford University Press.
Zunshine, Lisa (2006). Why we read fiction: Theory of mind and the novel. Columbia: Ohio State University of Press.
. (2009). Mind Plus: Sociocognitive pleasures of Jane Austin's novels. Studies in the Literary Imagination, 42(2), 103-123.
. (2012). Getting inside your head: What cognitive science can tell us about popular culture. Baltimore: The John Hopkins University Press.