Perspective (Visual)

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A Bibliography of Literary Theory, Criticism and Philology

by José Ángel García Landa

(University of Zaragoza, Spain)

Perspective (Visual)

Bateman, Chris. "Prop Perspective and the Aesthetics of Play." In How to Make Believe: The Fictional Truths of the Representational Arts. Ed. J. Alexander Bareis Bareis and Lene Nordrum. Berlin and Boston: De Gruyter, 2015. 335-52.*

Bourdieu, Pierre. Les Règles de l'art: Genèse et structure du champ littéraire. (Libre Examen). Paris: Seuil, 1992. (Literary theory; ideology; social semiotics; sociology of literature; Flaubert; 19th-century French literature; authorship; aestheticism; perspective; reading).

_____. Les Règles de l'art: Genèse et structure du champ littéraire. (Points; Essais, 370). Paris: Seuil, 1998.*

_____. The Rules of Art: Genesis and Structure of the Literary Field. Trans. Susan Emanuel. Stanford (CA): Stanford UP, 1996.

Clark, Stuart. Vanities of the Eye: Vision in Early Modern European Culture. Oxford: Oxford UP, 2007.* (Agrippa, Anamorphosis, Apparitions, Aristotle, Bacon, Giambattista Della Porta, Descartes, Eyes, Joseph Glanvill, Hobbes, Images, Imagination, Magic, Melancholy, Marin Mersenne, Montaigne, Optics, Paradoxes, Perspective, Vision, Witchcraft).

de Bolla, Peter. "The Visibility of Visuality: Vauxhall Gardens and the Siting of the Viewer." InVision and Textuality. Ed. Stephen Melville and Bill Readings. Houndmills: Macmillan, 1995. 282-95.*

Edgerton, Samuel Y., Jr. The Renaissance Discovery of Linear Perspective. New York: Basic Books, 1975.

García Landa, José Angel. "Panorámica de los panoramas." In García Landa, Vanity Fea 27 Feb. 2015.*


_____. "Panorámica de los panoramas." Ibercampus (Vanity Fea) 28 Feb. 2015.*


_____. "Panorámica de los panoramas; o: El panóptico en panóptico (A Panorama of Panoramas: or: Topsight on the Panopticon)." Social Science Research Network 17 Feb. 2016.*


Gilman, Ernest B. The Curious Perspective: Literary and Pictorial Wit in the Seventeenth Century. New Haven: Yale UP, 1978. (Holbein, 98-104).

Gregory, R. L. "Perspective." In Reading Images. Ed. Julia Thomas. Houndmills: Macmillan, 2000.

Guillén, Claudio. "8. On the Concept and Metaphor of Perspective." In Guillén, Literature as System: Essays toward the Theory of Literary History. Princeton (NJ): Princeton UP, 1971. 283-72.*

_____. "On the Concept and Metaphor of Perspective." In Comparatists at Work: Studies in Comparative Literature. Ed. Stephen G. Nichols, Jr., and Richard B. Vowles. Waltham (MA): Blaisdell Publishing, 1968. 29-90.

Huck, Christian. "Coming to Our Senses: Narratology and the Visual." In Point of View, Perspective, and Focalization: Modeling Mediation in Narrative. Ed. Peter Hühn, Wolf Schmid and Jörg Schönert. Berlin and New York: Walter de Gruyter, 2009. 201-18.*

Ingarden, Roman. Das Literarische Kunstwerk: Eine Untersuchung aus dem Grenzgebiet der Ontologie, Logik und Literaturwissenschaft. Halle/Saale: Niemeyer, 1931. 3rd. ed.: Tübingen: Niemeyer, 1965.

_____. The Literary Work of Art: An Investigation on the Borderlines of Ontology, Logic, and Theory of Literature. Evanston: Northwestern UP, 1973.*

_____. L'œuvre d'art littéraire. Trans. Philibert Secretan with N. Lüchinger and B. Schwegler. (Slavica). Lausanne: L'Age d'Homme, 1983.*

Ivins, William, Jr. Art and Geometry: A Study in Space Intuitions. Cambridge (MA): Harvard UP, 1946.

_____. Prints and Visual Communication. London: Routledge and Kegan Paul, 1953.

Jones, E. E., and Richard E. Nisbett. The Actor and the Observer: Divergent Perceptions of the Causes of Behavior. New York: General Learning Press, 1971.

Kemp, A. The Science of Art: Optical Themes in Western Art from Brunelleschi to Seurat. New Haven and London: Yale UP, 1990.

Martín Casalderrey, Francisco. La burla de los sentidos: El arte visto con ojos matemáticos. (El Mundo es Matemático). Barcelona: RBA Coleccionables, 2010.* (Perspective, Alberti, Dürer, Piero della Francesca, El Greco, Zurbarán, Velázquez, Leonardo).

McLuhan, Marshall, and Harley Parker. Through the Vanishing Point: Space in Poetry and Painting. New York: Harper & Row, 1968.

Panofsky, Erwin. "Die Perspektive als Symbolische Form." Vorträge der Bibliothek Warburg (1924-25). Leipzig: Teubner, 1927.

_____. La perspectiva como "forma simbólica". Trans. Virginia Careaga. 4th ed. Barcelona: Tusquets, 1983.*

Roston, Murray. Renaissance Perspectives in Literature and the Visual Arts. Princeton (NJ): Princeton UP, 1987.

Russell, Bertrand. Mysticism and Logic. 1917.

_____. Misticismo y lógica. Trans. Santiago Jordán. (Biblioteca Universal; Ensayo Contemporáneo). Barcelona: Círculo de Lectores, 1999.*

_____. Mysticism and Logic and Other Essays. London: Allen and Unwin, 1949.

Thon, Jan-Noël. "Perspective in Contemporary Computer Games." In Point of View, Perspective, and Focalization: Modeling Mediation in Narrative. Ed. Peter Hühn, Wolf Schmid and Jörg Schönert. Berlin and New York: Walter de Gruyter, 2009. 279-99.*

White, John. The Birth and Rebirth of Pictorial Space. London: Faber and Faber, 1957.

Wright, Lawrence. Perspective in Perspective. London: Routledge, 1983.*
See also Anamorphosis; Point of view (in narrative); Point of view (in film); Point of view (in drama); Gaze; Perspectivism.

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