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2.1.4.Estético-artístico


Incluye obras cuyo tema es tratado según periodizaciones tales como movimientos, escuelas, estilos, géneros y rasgos derivados, aspectos iconográficos e iconológicos, etc.
ANDREWS, A. D., ANDREWS, F. Shaker Furniture. New Haven: 1937. [cit. en Fleming, Honour]

ANSCOMBE, Isabelle, GERE, Charlotte. Arts and Crafts in Britain and America. London: 1978. [cit. en Julier]. [cit. en Fahr-Becker]

ARWAS, Victor. Art Déco. New York: Harry N. Abrams, 1980. 316 p. 216 Il. b. y n. 200 Il. col. Bibl.

ARWAS, Victor. The Liberty Style. New York: Rizzoli, 1979. [cit. en Epstein, Safro].

ASLIN, Elizabeth. The Aesthetic Movement: Prelude to Art Nouveau. London: Elek, 1981. [cit. en Clark]

BAIRD, Henry Carey. Victorian Gothic and Renaissance Revival Furniture. Two Victorian Pattern Books, Published by... Philadelphia: Athenaeum Library of Nineteenth Century Americ, 1977 [cit. en Academia IV].

BALL, Katherine M. Decorative Motives of Oriental Art. New York: Haacker, 1969. [Amazon.com. 2000]

BANDMANN, G. "Ikonologie des Ornaments und der Dekoration". Jahrbuch für Äesthetk. IV. 1959, p. 232-258 [cit. en Bauer].

BARRIELLE, Jean-François. Le Style Empire. Paris: Flammarion, 1982. 63 p. Il. b. y n. ("La Grammaire des Styles")

BAUER, Hermann. Rocaille. Zur Herkunft und zum Wesen eines Ornamentsmotivs. Berlin: 1962 [cit. en Bauer].

BAVIATI, E., BOSSAGLIA, R., ROSCI, M. L’Italia Liberty. Arredamento e Arti Decorativi. Milano: 1973. [cit. en Fleming, Honour]

BAYER, Herbert, GROPIUS, Walter, GROPIUS, Ise [1938]. Bauhaus, 1919-1928. Boston: 1959.

BAYER, Herbert, GROPIUS, Walter, GROPIUS, Ise [1938]. Bauhaus, 1919-1928. London: Secker & Warburg, 1975 [cit. en Woodham].

BEER, Eileene Harrison. Scandinavian Design: Objects of a Life Style. New York: Farrar, Strauss and Giroux, [c.1975]. ix, 214 p. Il. CA. [cit. en Julier].

BELEVITCH-STANKEVITCH, H. Le Goût Chinois en France au Temps de Louis XIV. Reprint. Geneva: 1970 [cit. en Sargentson 1996a].

BENTON, T., MILLIKIN, S. Art Nouveau 1890-1902. 1978. [cit. en Julier].

BERGHOFF, L. Emanuele Tesauro und seine Concetti. München: 1971. [cit. en Bauer].

BERTRAND, Jacques. Tableau des Styles du Meuble Français a travers l'Histoire. Sélectionné par l'Institut National Pédagogique Français et le Ministère Belge de l'Education Nationale. Poitiers: Ermite, 1970. Desplegable. Il. b. y n.

BEUNAT, Joseph. Empire Style Designs and Ornaments. New York: Dover, 1974. Tit. or.: Recueil des Dessins d'Ornaments d'Architecture [cit. en Academia IV].

BIALOSTOCKI, Jan. Estilo e Iconografía. Contribución a una Ciencia de las Artes. Barcelona: Seix Barral, 1973.

BIALOSTOCKI, Jan. Stil und Iconographie. Studien zur Kunstwissenschaft. Dresden: 1966. [cit. en Bauer]

BLENCH, Brian. The Glasgow Style 1890-1920. Glasgow: Glasgow Museums and Art Galleries, 1984. [cit en W. Kaplan, 1996]

BLOTKAMP. et al. De Stijl: The Formative Years. Cambridge, Mass: MIT, 1982. [cit. en Woodham]

BØE, Alf. From Gothic Revival to Funtional Form. Oxford: 1957. [cit. en Fleming, Honour]

BOHIGAS, Oriol. Arquitectura Modernista. Barcelona, 1968. [cit. en Fhar-Becker]

BOISSET, Jean-François. Le Style Louis XVI. Paris: Flammarion, 1982. 63 p. Il. b. y n. ("La Grammaire des Styles")

BORSI, Franco, GODOLI, E. Paris 1900. Bruxelles: 1976. [cit. en Fhar-Becker]

BORSI, Franco. Bruxelles 1900. Bruxelles: 1979. [cit. en Fhar-Becker]

BOSSAGLIA, Rossana. Il Déco Italiano. Milano: 1975. [cit. en Arwas].

BRÖHAN, Karl H. Kunsthandwerk I. Jugendstil, Werkbund, Art Déco. Berlin: 1976. [cit. en Arwas].

BROWN, C. F. Star-Spangled Kitsch. 1976. [cit. en Julier].

BRUNHAMMER, Yvonne. 1925. Paris: Les Presses de la Connaissance, 1976. [cit. en Christie’s “Lucien”].

BRUNHAMMER, Yvonne. Le Style 1925. Paris: Baschet, s.f. [cit. en Christie’s “Lucien”].

BRUNHAMMER, Yvonne. Lo Stile 1925. Milano: Frattelli Fabri, 1966. [cit. en Christie’s “Lucien”]. [cit en Maenz, 1974]

BRUNHAMMER, Yvonne. The Art Déco Style. New York: St. Martin's Press, 1983. 176 p. CA. [cit. en Christie’s “Lucien”].

BRUNHAMMER, Yvonne. The Nineteen-Twenties Style. London: 1959. [cit. en Arwas].

BRUNHAMMER, Yvonne. The Nineteen-Twenties Style. London: Paul Hamlyn, 1969. [cit en Maenz, 1974]

BURY, S. Victorian Electroplate. London: 1971. [cit. en Fleming, Honour]

CALLOWAY, Stephen, CROMLEY, Elizabeth. The Elements of Style. Revised Edition. A Practical Encyclopedia of Interior Architectural Details from 1485 to the Present. New York: Simon & Schuster, 1996. 568 p. Il. b. y n y col.

CALLOWAY, Stephen, JONES, Stephen. Royal Style. Five Centuries of Influence and Fashion. Boston: Little Brown, 1991. 208 p. Il. b. y n. y col.

CALLOWAY, Stephen, JONES, Stephen. Style Traditions. New York: Rizzoli, 1990. 224 p. Il. CA.

CALLOWAY, Stephen. L'Epoque et son Style: la Décoration Intérieure au XXe. Siècle. Paris: 1986. [cit. en Ennès, Mabille, Thiébaut].

CARRIL, Bonifacio del. Monumenta Iconographica. Buenos Aires: Emecé, 1964 [cit. en Bayón & Murillo].

CHARPENTIER, Françoise-Thérèse et. al. Art Nouveau. L'Ecole de Nancy. France: Denoël, 1987. [cit. en Christie’s “Lucien”].

CHRIST, Yvan. L'Art du XIXe Siècle. Restauration. Monarquie de Juillet. Paris: Flammarion, 1981. 63 p. Il. b. y n. ("La Grammaire des Styles")

CHRISTIE, Yves. Historia Ilustrada de las Formas Artísticas. 5. El Mundo Cristiano hasta el Siglo XI. Il. b. y n.: Thierry Bondroit. Trad.: Jesús Villaverde, Pablo Martín. Madrid: Alianza, 1984. 159 p. ("El Libro de Bolsillo. Arte", 1073). Tit. or.: La Grammaire des Formes et des Styles. Des Origines au Début du XIe Siècle. Fribourg: Office du Livre, 1982.

CIRICI PELLICER, Alexandre. 1900 a Barcelona. Modernisme, Jugendstil, Art Nouveau, Modern Style. Barcelona: Polígrafa, 1967. [cit. en Sánchez Pacheco]

COLERIDGE, A. Chippendale Furniture. London: 1968. [cit. en Fleming, Honour]

CREMONA, Italo. Il Tempo dell’Art Nouveau. Modern Style. Firenze: Vallecchi, 1964. 230 p. Il. [Payró: 10-4-3]

CROWLEY, David. Nation State and National Style: Design in Poland from the Vernacular Revival to the International Style. Manchester: 1992. [cit. en Julier].

CUMMING, Elizabeth, KAPLAN, Wendy. The Arts and Crafts Movement. 1991. [cit. en Julier].

DACIER, Emile. Le Style Louis XVI. Paris: Larousse, 1939. 32 planches hors texte en héliogravure (“Arts, Styles et Techniques”) [Payró: 22-1-78]

DAVEY, Peter. Architecture of Arts and Crafts Movement. New York: Rizzoli,1980. 224 p. [FADU]

DAVEY, Peter. Arts and Crafts Architecture. The Search for Earthly Paradise. London: Architectural Press, 1980. 224 p. [FADU]

DE LA FLOR, Fernando Rodríguez. Emblemas. Lecturas de la Imagen Simbólica. Madrid: Alianza, 1995. [cit. en Bozal]

DEMORIANE, Hélène. "Le Louis XVI qu'Aimait Eugénie". Connaissance des Arts (Paris). Nº 116, octobre 1961, p. 76-84 [cit. en Academia IV].

DENVIR, Bernard. The Late Victorians: Arts, Design and Society, 1852-1910. London: Longmans, 1988. [cit. en Woodham]

DITTMANN, L. Stil, Symbol, Struktur. Studien zu Kategorien der Kunstgeschichte. München: 1967 [cit. en Bauer].

DORFLES, Gillo. Kitsch: an Anthology of Bad Taste. 1969. [cit. en Julier].

DORFLES, Gillo. Kitsch: the Grotesque around Us. 1970. [cit. en Julier].

DROSTE, Magdalene. Bauhaus: 1919-1933. Cologne: Bauhaus Archiv-Taschen, 1990. [cit. en Woodham]

DUCHER, Robert. Caractéristiques des Styles. Paris: Flammarion, 1944. 178 p. Il. b. y n. ("Cinquantième Mille").

DUN, Alastair. El Art Nouveau. Barcelona: Destino, 1995. 216 p.

DUN, Alistair. Art Déco. 1988. [cit. en Julier].

DUN, Alistair. The Encyclopedia of Art Déco: an Illustrated Guide to a Decorative Style from 1920. London: Thames & Hudson, 1939. 192 p. Il. CA. [cit. en Le Platt].

EDWARDS, R., JOURDAIN, Margaret. Georgian Cabinet-Makers. Ed. rev. London: 1955. [cit. en Fleming, Honour]

ERIKSEN, Svend. Early Neoclassisism in France. London: 1974. [cit. en Fleming, Honour]

ESPINOSA, Elia. L’ Esprit Nouveau. Una Estética Moral Purista y un Materialismo Romántico. Méjico: Universidad Nacional Autónoma de Méjico, 1986. 305 p. Il. [Payró: 10-5-39]

FAHR-BECKER, Gabriele. El Modernismo. Trad. Andrés Sánchez Pascual para LocTeam, Barcelona. Colonia: Könemann, 1996. 427 p. Il.

FASTNEDGE, R. Sheraton Furniture. London: 1962. [cit. en Fleming, Honour].

FLORES, Carlos. Gaudi, Jujol y el Modernismo Catalán. Madrid: Aguilar, 1982. 2 vol. [FADU].

FOURNIER, Jean-Louis (dir.). Das Bauhaus. Origen: Alemania. Idioma: Alemán. 16 mm. 50’. Color. © 1975. [VIG].

FRANCA, José Augusto. O Modernismo em Arte Portuguesa. [FFyL]

FRANCASTEL, Pierre. Le Style Empire. Paris: Larousse, 1939 (“Arts, Styles et Techniques”) [Payró]

GARNER, Philippe. Jugenstil-Glas. Dortmund: 1981. [cit. en Fhar-Becker]

GOMBRICH, Sir Ernst H. "The Logic of Vanity Fair, Alternatives to Historicism in the Study of Fashions, Style and Taste". en GOMBRICH, Sir Ernst H. [1979]. Ideals and Idols: Essays on Values in History and in Art. Reprint. London: 1994. [cit. en Gombrich, 1967].

GOMBRICH, Sir Ernst H. "The Renaissance. Period or Movement?", en TRAPP, J. B. (ed.). Background to the English Renaissance: Introductory Lectures. London: 1974, p. 9-30. [cit. en Gombrich, 1967].

GOMBRICH, Sir Ernst H. [1963]. "Norma y Forma. Las Categorías Estilísticas de la Historia del Arte y sus Orígenes en los Ideales Renacentistas", en GOMBRICH, Sir Ernst H. [1966]. Norma y Forma. Estudios sobre el Arte del Renacimiento. Trad.: Remigio Gómez Díaz. Madrid: Alianza, 1984 (Alianza Forma", 39), p. 185-217. Ed. or.: Norm and Form Studies in the Art of the Renaissance I. Oxford: Phaidon Press, 1966. GOMBRICH, Sir Ernst H. [1972]. "Objetivos y Límites de la Iconología", en GOMBRICH, Sir Ernst H. [1972]. Imágenes Simbólicas. Estudios sobre el Arte del Renacimiento. Trad.: Remigio Gómez Díaz. Madrid: Alianza, 1983 (Alianza Forma", 34), p. 13-51. Ed. or.: Simbolic Images Studies in the Art of the Renaissance II. Oxford: Phaidon Press, 1972.

GRANDJEAN, Serge. Empire Furniture 1800-1825. London: 1966. [cit. en Fleming, Honour].

GREENBERG, Clement. Avant-Garde and Kitsch. 1939. [cit. en Bozal]

GREENHALGH, Paul (ed). Modernism in Design. London: Reaktion, 1990 [cit. en Julier]. Ensayos sobre el destino del modernismo en diversos países

GROVER, Lee, GROVER, Ray. Art Nouveau Glass. Rutland (Vermont): 1967. [cit. en Fleming, Honour]

HANKS, GEBHARD, BLETTER, et al. High Styles. New York: Whitney Museum of American Art, 1985. [cit. en Christie’s “Lucien”].

HARDAF SEGERSTARD, Ulf. Scandinavian Design. Stockholm: Nordisk Rotogravir, 1961. 130 p. Il. b. y n. y col. [FADU].

HARRIS, J. Regency Furniture Designs. London: 1961. [cit. en Fleming, Honour]

HERSEY, George. The Lost Meaning of Classical Architecture. Speculations on Ornament from Vitruvius to Venturi. Cambridge (Mass); London: The TUT Press, 1988.

HERSEY, George. The Lost Meaning of Classical Architecture: Speculations on Ornament from Vitruvius to Venturi. Cambridge (Mass); London: The MIT Press, 1988. 216 P. CA.

HILLIER, Bevis. Art Déco of the Twenties and Thirties. London: Studio Vista, 1968. [cit. en Arwas]. [cit. en Maenz, 1974]

HILLIER, Bevis. Art Déco of the Twenties and Thirties. New York: Dutton Studio Vista, 1969. [cit. en Maenz, 1974]

HILSCHENZ, H. Das Glas des Jugendstils. Munchen: 1973. [cit. en Fleming, Honour]

HITCHCOCK, Henry Russell. Rococo Architecture in Southern Germany. London: Phaidon Press, 1968. 427 p. [cit. en Bayón & Murillo].

HOGG, Min, HARROP, Wendy [1988]. Interiors. 1st. ed. New York: Clarkson N. Potter, 1988. 256 p. Il. col.

HONOUR, Hugh [1961]. Chinoiserie; the Vision of Cathay. [London]: J. Murray [1961]. viii, 294 p. Il. CA.

HONOUR, Hugh [1961]. Chinoiserie; the Vision of Cathay. London: 1974. [cit. en Fleming, Honour].

HONOUR, Hugh. The New Golden Land: European Images of America from the Discoveries to the Present Time. New York: 1975. [cit en D. Ades, 1989]

HOSSFELD, H. J. (dir.). Clasicismo Alemán. Origen: Alemania. Idioma: español (doblado). VHS, PAL; 16 mm. 29’. Color. ©1980/81. Tit. or.: Deustcher Klassizismus. [VIG].

HUNTER-STIEBEL, Penélope. Louis XV & Madame de Pompadour: a Love Affair with Style. New York: Rosenberg and Stiebel, 1990. 112 p. CA.

IMPEY, Oliver R. Chinoiserie: the Impact of Oriental Styles on Western Art and Decoration. Oxford University Press, 1977. 208 p. [Amazon.com. 2000]

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KAUFFMAN, H. J. Pennsylvania Dutch American Folk Art. New York: 1964. [cit. en Fleming, Honour]

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KÜHNEL, E. [1949]. Die Arabeske. Sinn und Wandlung eines Ornament. Graz: 1977. [cit. en Fleming, Honour]

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LEOPOLD, Allison Kyle. Victorian Splendor: Re-creating America’s Nineteenth-Century Interiors. Stewart, Tabori & Chang, 1986. 272 p. CA.

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MACKINTOSH, Alastair. Simbolism and Art Nouveau. New York: Barron’s, 1978. (“Modern Movements in Art”). CA.

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MAENZ, Paul. Art Déco: 1920-1940. Formas entre Dos Guerras. Trad.: Pere Ancochea Millet. Barcelona: Gustavo Gili, 1974. 266 p. Il., fot. (“Comunicación Visual”). [FADU] [cit en Maenz, 1974]

MARFANY, J. Aspectes del Modernisme. 1975. [cit. en Julier].

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MARTIN, Henry (ed.). Le Style Louis XVI. Paris: Flammarion, 1949. 64 p. Il. ("La Grammaire des Styles").

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MENTEN, Theodore. Art Nouveau and Early Art Deco. Type and Design from the Roman Scherer Catalogue Ed. by… New York: Dover, 1972. 87 p. [FADU]

MENTEN, Theodore. The Art Déco Style. New York: Dover, 1972. [cit. en Arwas]. [cit. en Maenz, 1974].

METKEN, Günter. Los Prerrafaelistas. Barcelona: Blume, 1981. 216 p.

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MINGUET, Philippe. Estética del Rococó. Madrid: Cátedra, 1992. 254 p.

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MUSGRAVE, C. Regency Furniture. London: 1961. [cit. en Fleming, Honour]

NAYLOR, Gillian. The Arts and Crafts Movement: A Study of Its Sources, Ideals and Influence on Design Theory. Cambridge, (Massachussets): MIT Press [1971]. 208 p. Il. CA.

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NOVOTNY, F (ed.). Romantische Glasmalerei in Luxenburg. Wien: 1962. [cit. en Fleming, Honour]

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PEVSNER, Nikolaus, RICHARDS, J. M. The Anti-Rationalists: Art Nouveau Architecture and Design. London: Architectural Press, 1973. [cit. en Woodham]

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PRAZ, Mario. Gusto Neoclásico. Barcelona: Gustavo Gili, 1982. [cit. en Academia IV].

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RHEIMS, Maurice. L’ Objet 1900. Paris: Arts et Métiers Graphiques, 1964. 160 p. Il. [Payró: 10-4-1]. [FADU].

RICKEY, Carrie. “Decoration, Ornament, Pattern and Utility: Four Tendencies in Search of a Movement”. Flash Art. June-July, 1979. 19-23. [cit. en Sandler]

RICKEY, Carrie. “Naive Nouveau and its Malcontents”. Flash Art. (Summer 1980), 36-39 p. [cit. en Sandler]

ROBINSON, Julian. The Golden Age of Style. London: 1976. [cit. en Arwas].

ROSENBLUM, Robert. The Dog in Art from Rococo to Postmodermism. New York: Harry N. Abrams, 1988. [cit. en Sandler]

SAID, Edward. Orientalism. London: 1978 [cit. en Fernie].

SAISSELIN, R. G. "Neoclassicism: Images of Public Virtue and Realities of Private Luxury". Art History. Vol IV, Nº 1, March 1981, p. 14-36 [cit. en Sargentson 1996a].

SCARLET, Frank, TOWNLEY, Marjorie. Arts Décoratifs 1925. London: 1975. [cit. en Arwas].pasado

SCHEDEIG, W. Crafts of the Weimar Bauhaus. London: 1967. [cit. en Fleming, Honour].

SCHEDIG, W. Crafts of the Weimar Bauhaus. London: 1967.

SCHMUTZLER, Robert. Art Nouveau. Milano: Casa Editrice Il Saggiatori, 1966. 321 p. Il. [Payró].

SCHMUTZLER, Robert. Art Nouveau. Trad.: Edouard Roditi. London: Thames & Hudson, [1964]. 322 p. Il. CA.

SCHMUTZLER, Robert. El Modernismo. 3ª ed. Trad: Felipe Ramírez. Madrid: Alianza, 1985. 212 p. (“Alianza Forma”, 12). CA. [FADU].

SCHMUTZLER, Robert. El Modernismo. Madrid: Alianza, 1980. 207 p. (“Alianza Forma”, 12), [Payró].

SCOTT, K. The Rococo Interior: Decorative and Social Spaces in Early Eightenth-Century Paris. New Haven; London: 1995 [cit. en Sargentson 1996a].

SELMA, José Vicente. Los Prerrafaelistas. Arte y Sociedad en el Debate Victoriano. Barcelona: Montesinos, 1991.

SELZ, P. CONSTANTINE, M. (ed.). Art Nouveau: Art and Design at the Turn of the Century. 1959. [cit. en Julier].

SEMBACH, Klaus Jürgen. Stil 1930. Tübingen: Wasmuth, 1971 [cit. en Maenz, 1974].

SENETACH, Klauss Jürgen. Modernismo. La Utopía de la Reconciliación. Köln: Taschen, 1991. 240 p. [FADU].

SEXTON, Richard. American Style: Classic Product Design from Airstream to Zippo. San Francisco: Chronicle, 1987. 144 p. Il. CA. [cit. en Julier].

SILVERMAN, Debora L. Art Nouveau in Fin-de-Siècle France: Politics, Psychology and Style. Berkeley: University of California Press, 1989. 450 p. (“Studies on the History of Society and Culture”, 7). [cit. en Epstein, Safro].

SLESIN, Suzanne, CLIFF, Stafford [1984]. English Style. Fot. col. : Ken Kirkwood. 1st. ed. New York: Clarkson N. Potter, 1984. 288 p.

SLESIN, Suzanne, CLIFF, Stafford. French Style. Fot. col. : Jacques Dirand. New York: Clarkson N. Potter, 1982. 288 p.

SNODIN, CORNFORTH. "French Style, English Mood". Country Life. October 21, 1992, p. xx et seqq. [cit. en Sargentson 1996a].

SWEETMAN, John. The Oriental Obsession: Islamic Inspiration in British and American Art and Architecture, 1500-1920. Cambridge University Press, 1988. 327 p. [Amazon.com. 2000]

SWEETMAN, John. The Oriental Obsession: Islamic Inspiration in British and American Art, 1500-1920. Cambridge University Press, 1991. 328 p. [Amazon.com. 2000]

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