Authorship, Writing Top Ten Early works Miscellaneous Author's rights Revising Writer's Block Top Ten



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from

A Bibliography of Literary Theory, Criticism and Philology



http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.html

by José Ángel García Landa

(University of Zaragoza, Spain)


Authorship, Writing

Top Ten


Early works

Miscellaneous

Author's rights

Revising


Writer's Block


Top Ten

Barthes, Roland. "The Death of the Author." In Modern Criticism and Theory: A Reader. Ed. David Lodge. London: Longman, 1988. 166-72.*

Bourdieu, Pierre. The Rules of Art: Genesis and Structure of the Literary Field. Trans. Susan Emanuel. Stanford (CA): Stanford UP, 1996.

Compagnon, Antoine. "L'auteur." In Compagnon, Le démon de la théorie: Littérature et sens commun. Paris: Seuil, 1998. 2000. 47-100.* (Intention).

Docherty, Thomas. On Modern Authority: The Theory and Condition of Writing, 1500 to the Present Day. Brighton: Harvester; New York: St. Martin's, 1987.*

During, Simon. Foucault and Literature: Towards a Genealogy of Writing. London: Routledge, 1992.*

Eliot, T. S. "Tradition and the Individual Talent." In Contemporary Literary Criticism: Literary and Cultural Studies. Ed. Robert Con Davis and Ronald Schleifer. 3rd ed. White Plains (NY): Longman, 1994. 27-33.*

Emerson, Ralph Waldo. "The Poet." 1843. In Critical Theory since Plato. Ed. Hazard Adams. San Diego: Harcourt Brace Jovanovich, 1971. 545-554.*

Foucault, Michel. "What Is an Author?" In Modern Criticism and Theory: A Reader. Ed. David Lodge. London: Longman, 1988. 196-210.*

Horace. "Art of Poetry." Trans. E. C. Wickham. In Critical Theory since Plato. Ed. Hazard Adams. San Diego: Harcourt, 1971.*

Macherey, Pierre. A Theory of Literary Production. Trans. Geoffrey Wall. London: Routledge, 1978.*

Early works

Addison, Joseph. "On Authors and Writing." In Addison, Critical Essays from the Spectator: With Four Essays by Richard Steele. Ed. Donald F. Bond. Oxford: Oxford UP, 1970. 247-9.

Börne, Ludwig. (El arte de llegar a ser un escritor original en tres dias).(In German). 1823. Rpt. in Börne, (Complete Works) (In German). 1862.

Carlyle, Thomas. "The Hero as Poet: Dante, Shakespeare." In Carlyle, On Heroes, Hero-Worship and the Heroic in History. Philadelphia: Altemus, 1894. 106-54.*

_____. "The Hero as Man of Letters: Johnson, Rousseau, Burns." In Carlyle, On Heroes, Hero-Worship and the Heroic in History. Philadelphia: Altemus, 1894. 206-60.*

D'Israeli, I. Curiosities of Literature. London: Moxon, 1834.

Hazlitt, William. "On the Difference Between Writing and Speaking." In The Writer's Art: By Those Who Have Practiced It.  Ed. Rollo Walter Brown. Cambridge (MA): Harvard UP, 1921. 14-31.*

Hobbes, Thomas. "Of Persons, Authors, and Things Personated." In Hobbes, Leviathan. London: Dent; New York: Dutton (Everyman), 1914. 83-86.*

_____. "16. De las personas, autores y cosas personificadas." In Hobbes, Leviatán. Madrid: Gredos, 2012. Rpt. Barcelona: RBA Coleccionables, 2015. 132-36.*

Horace. Epistola ad Pisones. Barcelona: Bosch, 1966.*

_____. The Art of Poetry. Trans. Edward H. Blakeney. In Gilbert 128-43.*

_____. On the Art of Poetry. Trans. T. S. Dorsch. In Classical Literary Criticism 77-96.*

_____. "Art of Poetry." Trans. E. C. Wickham. In Critical Theory since Plato. Ed. Hazard Adams. San Diego: Harcourt, 1971.*

James, Henry. "The Private Life." New York ed. Rpt. in The Figure in the Carpet and Other Stories. Ed. Frank Kermode. Harmondsworth: Penguin, 1986. 189-232.*

Jerome (Saint). De viris Illustribus. 392-93. (130 biographies of Christian writers; theory of authorship).

_____. De viris illustribus. Ed. E. C. Richardson. Leipzig, 1896.

_____. "Sobre personajes ilustres." In Biografías literarias latinas. Ed. Yolanda García et al. Madrid: Gredos,1985. 219-96.*

Johnson, Samuel. "An Author's Writing and Conversation Contrasted." The Rambler (14). 1750-2. London: Dent; New York: Dutton, 1953.

_____. (On authorship). Rambler 14 (5 May 1750). In Essays form the Rambler, adventurer and Idler. Ed. W. J. Bate. Cambridge (MA): Harvard UP, 1968.

_____. "Anxieties of Literature." The Rambler (21). 1750-2. London: Dent; New York: Dutton, 1953.

_____. "Vanity of an Author's Expectations." Rambler 106.

_____. "Literary Courage." Rambler 137.

_____. "An Author in Quest of his Own Character." Rambler 146.

Lu Chi. Lu Chi's "Wen Fu", A. D. 302: A Translation and Comparative Study. By E. R. Hughes. With a forenote by I. A. Richards. (Bollingen Series 29). New York: Bollingen Foundation / Pantheon Books, 1951.*

_____. "Ensayo sobre la literatura." 3rd century. In Racionero, Textos de estética taoísta 204-17.

_____. (Lu Ji). Wen Fu: Prosopoema del arte de la escritura. Ed. Pilar González España. (Letras Universales). Madrid: Cátedra, 2010.

Minturno, Antonio. De poeta. 1559.

Plato. Fedro, o de la belleza. Trans. María Araujo. Introd. Antonio Rodríguez Huéscar. Madrid: Aguilar, 1989.

Pliny the Younger. (Gaius Plinius Caecilius Secundus). "Imitation of the Best Models." Letter to Fuscus Salinator (85 C.E.?). In Douglas Robinson, Western Translation Theory: From Herodotus to Nietzsche. Manchester: St. Jerome, 1997.*

Poe, Edgar Allan. "The Philosophy of Composition." Graham's Magazine (1846).

_____. "The Philosophy of Composition." In The Writer's Art: By Those Who Have Practiced It. Ed. Rollo Walter Brown. Cambridge (MA): Harvard UP, 1921. 114-29.*

_____. "The Philosophy of Composition." In The American Tradition in Literature, ed. Sculley Bradley, Richmond Croom Beatty, E. Hudson Long. New York: Norton, 1962. 871-881.*

_____. "The Philosophy of Composition." In Great Short Works of Edgar Allan Poe. Ed. G. R. Thompson. New York, 1970.

_____. "The Philosophy of Composition." In Poe, Poems and Essays 163-77.*

_____. "The Philosophy of Composition." In Selected Writings of Edgar Allan Poe. Ed. David Galloway. Harmondsworth: Penguin, 1985. 480-92.*

_____. "The Philosophy of Composition." In Gothic Horror: A Reader's Guide from Poe to King and Beyond. Ed. Clive Bloom. Basingstoke: Macmillan, 1998. 27-36.*

_____. "The Philosophy of Composition." 1846. Online ed. 1999.

http://www.eapoe.org/works/essays/philcomp.htm

25 May 2007-07-14

_____. "Filosofía de la composición." In Poe, Obras completas II. Barcelona: RBA, 2004. 9-18.*

_____. "The Philosophy of Composition." 1846. Available online at Bob's Byway, ed. Robert G. Shubinski.

http://www.poeticbyway.com/philo.htm

2011


_____. Método poético y narrativo. Ellago Ediciones, 2001.

Quintilian (Marcus Fabius Quintilianus). "On What We Should Employ Ourselves When We Write." From Institutiones Oratoriae (96 C.E.?). In Douglas Robinson, Western Translation Theory: From Herodotus to Nietzsche. Manchester: St. Jerome, 1997.*

Saavedra Fajardo, Diego de. República literaria. 1612. Ed. José Carlos de Torres. Barcelona: Plaza y Janés, 1985.

_____. República literaria. Ed. Vicente García de Diego. Madrid: Espasa-Calpe.

_____. República literaria. Ed. Jorge García López. Barcelona: Crítica, 2006.

Sainte-Beuve. Letter on authorship. Moniteur 20 February 1860. Rpt. in Sainte-Beuve, Pour la critique. Paris: Gallimard, 1992. 251-64.

Shaftesbury (Anthony Ashley Cooper, 3rd Earl of). Soliloquy, or Advice to an Author. London: John Morphew, 1710. (Aesthetics; Morality; Introspection; Dialogue; Criticism; Taste)

_____. "Treatise III. viz. Soliloquy: or Advice to an Author." In Shaftesbury, Characteristicks of Men, Manners, Opinions, Times, In Three Volumes. London, 1711.

Sidney, Philip (Sir). "To my dear Lady and Sister the Countess of Pembroke"; "Nota"; and, "Discussion of Metre" In Sidney, The Countess of Pembroke's Arcadia (The Old Arcadia). 1581. Ed. Jean Robertson. Oxford: Clarendon, 1973.

Skelton, John. A Ryght Delectable Tratyse vpon a Goodly Garlande or Chapelet of Laurell by mayster Skelton ... Inprynted by ... Richard Fankes. London, 1523.

Stevenson, R. L. "The Morality of the Profession of Letters." The Fortnightly Review (1881) (Morality; Education; Commerce; Sympathy; Journalism; Author)

_____. "The Morality of the Profession of Letters." In Stevenson, Essays in the Art of Writing. London: Chatto, 1910. 47-76.*

_____. "The Morality of the Profession of Letters." In The Writer's Art: By Those Who Have Practiced It.  Ed. Rollo Walter Brown. Cambridge (MA): Harvard UP, 1921. 150-63.*

_____. "La moral de la profesión de las letras." In Stevenson, Obras completas. Barcelona: RBA, 2005. 4.261-68.*

_____. "On Style in Literature: Its Technical Elements." The Contemporary Review (1885). (Nature of literature; Nature of poetry; Nature of prose; Metre; Rhythm; Style)

_____. "On Some Technical Elements of Style in Literature." In Stevenson, Essays in the Art of Writing. London: Chatto, 1910. 3-46.*

_____. "Sobre algunos elementos técnicos del estilo literario." In Stevenson, Obras completas. Barcelona: RBA, 2005. 4.248-60.*

_____. Essays in the Art of Writing. London: Chatto, 1910.*

_____. Essais sur l'art de la fiction. Ed. Michel Le Bris. Paris: La Table Ronde, 1988.

Tacitus, Publius Cornelius. Dialogvs de oratoribvs. Barcelona: Bosch, 1976.* (Oratory; Poet; Style; Fame; Education; Morality)

_____. Dialogue on Orators. In Ancient Literary Criticism. Ed. D. A. Russell and M. Winterbottom. Oxford: Clarendon Press, 1972.

Voltaire. "Vigésima carta. Sobre los señores que cultivan las letras." In Voltaire, Cartas filosóficas. Diccionario filosófico. Memorias para servir a la vida de Voltaire escritas por él mismo. Prologue by Fernando Savater. Introd. Martí Domínguez. (Grandes Pensadores Gredos; Voltaire, I). Madrid: Gredos, 2010. Rpt. Barcelona: RBA, 2014. 91-93.*

_____. "Vigesimotercera carta. Sobre la consideración debida a las gentes de letras." In Voltaire, Cartas filosóficas. Diccionario filosófico. Memorias para servir a la vida de Voltaire escritas por él mismo. Prologue by Fernando Savater. Introd. Martí Domínguez. (Grandes Pensadores Gredos; Voltaire, I). Madrid: Gredos, 2010. Rpt. Barcelona: RBA, 2014. 102-5.*

_____. "Letras, Hombres de letras o Letrados." From Diccionario Filosófico. In Voltaire, Cartas filosóficas. Diccionario filosófico. Memorias para servir a la vida de Voltaire escritas por él mismo. Prologue by Fernando Savater. Introd. Martí Domínguez. (Grandes Pensadores Gredos; Voltaire, I). Madrid: Gredos, 2010. Rpt. Barcelona: RBA, 2014. 262-63.*

Vives, Juan Luis. "Practice in Writing." From De Tradendis Disciplinis. 1531. In Douglas Robinson, Western Translation Theory: From Herodotus to Nietzsche. Manchester: St. Jerome, 1997.*

Young, Edward. "Conjectures on Original Composition: In a letter to the author of Sir Charles Grandison." 1759. In Critical Theory since Plato. Ed. Hazard Adams. San Diego: Harcourt Brace Jovanovich, 1971. 338-347.*


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