Alam Ara Alam Ara. 1931. (India's first talkie, dubbed into Hindi and Urdu). The Alamo



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A Bibliography of Literary Theory, Criticism and Philology



http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.html

by José Ángel García Landa

(University of Zaragoza, Spain)


On individual films

(See first under Film directors)

Series
(BFI Films Classics). London: BFI.
(Indiana University Press Filmguide Series, 7). Gen. eds. Harry M. Geduld and Ronald Gottesman. Bloomington: Indiana UP, 1973.*
(SpeakUP film booklet). Barcelona: RBA, c. 2000.*


Alam Ara
Alam Ara. 1931. (India's first talkie, dubbed into Hindi and Urdu).

The Alamo
Farnsworth, Rodney. “John Wayne’s Epic of Contradictions: The Aesthetic and Rhetoric of War and Diversity in The Alamo.” Film Quarterly 52.2 (Winter 1998-9): 24-34.

Alien series
Martín, Sara. "Monstrous Business: The Alien Film Series." In Culture and Power: Business. Ed. Matilde Paredes et al. Zaragoza: Departamento de Filología Inglesa, 1999. 141-52.*

Angels with Dirty Faces



Angels with Dirty Faces. Film. With James Cagney. Warner, 1938.


Asterix aux Jeux Olympiques
López Lorca, Hortensia (U de Murcia). "La frase negativa en la película Astérix en los Juegos Olímpicos." Contextos Educativos 18 (2015): 129-41.*

L’Avventura
Bohne, Luciana. “The Discourse of Narcissism in L’Avventura.” Film Criticism 9.1 (Fall 1984).

Babe
Brabazon, Tara. "A Pig in Space? Babe and the Problem of Landscape." In Australian Cinema in the 1990s. Ed. Ian Craven. London and Portland (OR): Frank Cass, 2001. Digital printing 2005. 149-58.*

The Barber of Siberia

Forbes, Jill, and Sarah Street, eds. Introduction to European Cinema. Houndmills: Macmillan, 2000. (Jean Renoir, La Règle du jeu; Mathieu Kassovitz, La Haine, Hitchcock, The Lodger, Danny Boyle, Trainspotting, Buñuel, Viridiana, Saura, Blood Wedding, Visconti, Ossessione, Taviani bros., Good Morning Babylon, Eisenstein, Battleship Potemkin; The Barber of Siberia; Margarethe von Trotta, The Promise; Wim Wenders, Alice in the Cities).



The Beast from 20.000 Fathoms
The Beast from 20.000 Fathoms. Based on Ray Bradbury’s novel. 1953

The Beguiled
Herring, Gina. “The Beguiled: Misogynist Myth or Feminist Fable?” Literature Film Quarterly 26.3 (1998): 214-219.

Ben Hur (1959)

The Big Steal
Butterss, Philip. "Becoming a Man in Australian Film in the Early 1990s: The Big Steal, Death in Brunswick, Strictly Ballroom and The Heartbreak Kid." In Australian Cinema in the 1990s. Ed. Ian Craven. London and Portland (OR): Frank Cass, 2001. Digital printing 2005. 79-94.*

Blood Diamond (1996)
Denby, David. "What if? Wishing Things Were Otherwise." New Yorker 4 Dec. 2006. (Rev. of Deja Vu, Stranger than Fiction and Blood Diamond).

http://www.newyorker.com/critics/cinema/articles/061211crci_cinema


The Castle
Crofts, Stephen. "The Castle: 1997's 'Battlers' and the Ir/Relevance of the Aesthetic." In Australian Cinema in the 1990s. Ed. Ian Craven. London and Portland (OR): Frank Cass, 2001. Digital printing 2005. 159-74.


Claire Rayner's Casebook
Ackroyd, Peter. Rev. of Claire Rayner's Casebook (BBC 1). The Times 11 March 1983. Rpt. in Ackroyd, The Collection. Ed. Thomas Wright. London: Chatto & Windus, 2001. 182-83.*

The Color of Time (2014)
The Color of Time. Cast: Zach Braff, Bruce Campbell, Jessica Chastain, James Franco, Henry Hopper, Mila Kunis. USA, 2014. (On C. K. Williams, Pulitzer Prize poet).

Come Back, Africa (1959)
Maingard, Jacqueline. "6. Cry, Africa: Social Realism in Cry, the Beloved Country (1951) and Come Back, Africa (1959)." In Maingard, South African National Cinema. London: Routledge, 2007. 106-24.*


Cry, the Beloved Country (1951)
Maingard, Jacqueline. "6. Cry, Africa: Social Realism in Cry, the Beloved Country (1951) and Come Back, Africa (1959)." In Maingard, South African National Cinema. London: Routledge, 2007. 106-24.*

Dead End



Dead End. Film. With James Cagney. Warner, 1937.
Death in Brunswick
Butterss, Philip. "Becoming a Man in Australian Film in the Early 1990s: The Big Steal, Death in Brunswick, Strictly Ballroom and The Heartbreak Kid." In Australian Cinema in the 1990s. Ed. Ian Craven. London and Portland (OR): Frank Cass, 2001. Digital printing 2005. 79-94.*

Destry Rides Again
Loyo, Hilaria. “The Antidote for a ‘Box-Office Poison’: Star and Genre in Destry Rides Again.” In XVIII Congreso de AEDEAN (Alcalá de Henares, 15-17 diciembre 1994). Ed. Ricardo J. Sola, Luis A. Lázaro and José A. Gurpegui. Alcalá: Servicio de Publicaciones de la Universidad de Alcalá, 1997. 713-20.*

The Devil’s Advocate
The Devil’s Advocate. Film. With Keanu Reeves. 1997.


Dick Tracy



Dick Tracy 4-part series. RKO, 1930s.

Dick Tracy (= Dick Tracy, Detective). RKO, 1945.

Dick Tracy versus Cueball. RKO, 1946.

Dick Tracy’s Dilemma. RKO, 1947.

Dick Tracy Meets Gruesome. RKO, 1947.

Dick Tracy. 1990. see Beatty, Warren.

The Dish Ran Away with the Spoon


The Dish Ran Away with the Spoon. Cartoon. (Silly Symphonies). 1932.

Drum (2004)
Maingard, Jacqueline. South African National Cinema. (National Cinemas). London: Routledge, 2007.*


Duck Soup
Duck Soup. Film. With the Marx brothers. 1933.


Easter Parade
Easter Parade. Film. With Judy Garland and Fred Astaire. 1948.

Easy Rider
Easy Rider. With Peter Fonda, Denis Hopper. Prod. and co-script. Peter Fonda.1969.

Eat, Drink, Man, Woman
Luzón Aguado, Virginia, and Luis Cantarero Abad. (U de Zaragoza). “Eating the Cultural Dish: Confrontation and Resolution in Babette’s Feastand Eat, Drink, Man, Woman.” In Culture and Power IV: Cultural Confrontations. Ed. Chantal Cornut-Gentille D’Arcy. Zaragoza, 1999. 215-28.*

The Evolution of Darwin
Ackroyd, Peter. Rev. of The Evolution of Darwin (Thames TV). The Times 24 Sept. 1982. Rpt. in Ackroyd, The Collection. Ed. Thomas Wright. London: Chatto & Windus, 2001. 178-79.*


8 1/2
Boyd, David. Film and the Interpretive Process: A Study of Blow-Up, Rashomon, Citizen Kane, 8 1/2, Vertigo and Persona. (Ars interpretandi 1). New York: Peter Lang, 1989.*

Falling Down
Dyer, Richard. “Whites Are Nothing: Whiteness, Representation and Death.” In “New” Exoticisms: Changing Patterns in the Construction of Otherness. Ed. Isabel Santaolalla. Amsterdam and Atlanta: Rodopi, 2000. 135-55.* (Falling Down, film, 1993).

_____. White. Routledge, 1997.



Forrest Gump
Byers, Thomas B. “History Re-Membered: Forrest Gump, Postfeminist, Masculinity, and the Burial of Counterculture.” Modern Fiction Studies 42.2 (Summer 1996).*

The Four Feathers
The Four Feathers. Film based on A. E. W. Mason’s novel. 1939.

Free Willy (1993)


The French Lieutenant’s Woman
Dodson, Mary Lynn. “The French Lieutenant’s Woman: Pinter and Reisz’s Adaptation of Fowles’s Adaptation.” Film Literature Quarterly 26.4 (1998): 296-303.

From Here to Eternity
From Here to Eternity. Cast: Burt Lancaster, Montgomery Clift, Deborah Kerr, Frank Sinatra, Donna Reed. 1953. (8 Oscars).


Frozen
Faria, Natasha. "Frozen Is No Feminist Leap for Disney." Business Day Live 7 March 2014.

http://www.bdlive.co.za/life/entertainment/2014/03/07/frozen-is-no-feminist-leap-for-disney

2015


Feder, Shira. "Slamming the Door: An Analysis of Elsa (Frozen)." The Feminist Wire 16 Oct. 2014.

http://www.thefeministwire.com/2014/10/slamming-door-analysis-elsa-frozen/

2015


García Llop, Verónica María. "'Between Sisters': Female Characters in Frozen (2013)." TFG, dir. María del Mar Azcona Montoliú. Universidad de Zaragoza, Facultad de Filosofía y Letras, 2015.*

Holden, Stephen. "From the Heat of Royal Passion, Poof! It's Perfmafrost: Disney's Frozen, a Makeover of 'The Snow Queen'." New York Times 26 Nov. 2013.



http://www.nytimes.com/2013/11/27/movies/disneys-frozen-a-makeover-of-the-snow-queen.html

2016


Linksey, Dorian. "Frozen-Mania: How Elsa, Anna and Olaf Conquered the World." The Guardian 13 May 2014.

http://www.theguardian.com/film/2014/may/13/frozen-mania-elsa-anna-olaf-disney-emo-princess-let-it-go

2016


_____. "Let It go to Peer Review: Discussion of Frozen Is Academic at Symfrozium." The Guardian 8 June 2015.

http://www.theguardian.com/film/filmblog/2015/jun/08/frozen-symfrozium

2016


Parry, Hannah. "University Dons to Study 'Cultural Impact' of Disney Fairytale Frozen as Princess Elsa and Olaf the Snowman Make It Onto the Syllabus." Daily Mail 8 May 2015.*

http://www.dailymail.co.uk/news/article-3073218/University-dons-study-cultural-impact-Disney-fairytale-Frozen-Princess-Elsa-Olaf-snowman-make-syllabus.html

2015


Garfield Gets Real
Garfield Gets Real. Spanish DVD: Garfield en la Vida Real. Madrid: Twentieth Century Fox, 2007.*

Gaslight
Gaslight. 1944.

Geri’s Game. Short animation film. 1997. (Oscar).

Germinal
Germinal. Based on the novel by Emile Zola. France, 1963.

Hair
Music
García Landa, José Ángel. "Supreme Visions of Lonely Tunes." In García Landa, Vanity Fea 3 Oct. 2008. (Song from Hair).

http://garciala.blogia.com/2008/100301-supreme-visions-of-lonely-tunes.php

2008


The Heartbreak Kid
Butterss, Philip. "Becoming a Man in Australian Film in the Early 1990s: The Big Steal, Death in Brunswick, Strictly Ballroom and The Heartbreak Kid." In Australian Cinema in the 1990s. Ed. Ian Craven. London and Portland (OR): Frank Cass, 2001. Digital printing 2005. 79-94.*


High Sierra
Río, Constanza del. “High Sierra: Going Back Home.” In Flashbacks. Ed. Celestino Deleyto. Zaragoza: Servicio de Publicaciones de la Universidad de Zaragoza, 1992. 97-120.*

Holiday
Ruiz Pardos, Manuela. “Genre, History and Culture in the Screwball Comedies of the 1930s and Early 1940s: Holiday and The Philadelphia Story.” Proyecto de Investigación de Tercer Ciclo. Universidad de Zaragoza, Departamento de Filología Inglesa y Alemana, 1997.*

_____. Genre, History and Culture in the Screwball Comedies of the 1930s and early 1940s: Holiday and The Philadelphia Story. Ann Arbor: UMI, 1998.




Hollywood Revue



Hollywood Revue.. MGM, 1927.

Hoodwinked
García Landa, José Ángel. "Hoodwinked by Aristotle." In García Landa, Vanity Fea 23 Oct. 2006.

http://garciala.blogia.com/2006/102301-hoodwinked-by-aristotle.php

2006-11-01




House of Sand and Fog

House of Sand and Fog (Casa de arena y niebla). With Ben Kingsley. DVD. Barcelona: Filmax Home Video, 2004.


The Importance of Being Earnest. German film (pre-war). Based on Oscar Wilde’s play.

The Incredible Shrinking Man
Slusser, George. “Pocket Apocalypse: American Survivalist Fictions from Walden to The Incredible Shrinking Man.” In Imagining Apocalypse. Ed. David Seed. Houndmills: Macmillan; New York: St. Martin’s, 2000. 118-35.*

Ingagi (1930)
Ingagi. USA: Congo Pictures / RKO, 1930.
Erish, Andrew. "Illegitimate Dad of King Kong." In Los Angeles Times CalendarLive.com 8 Jan. 2006.

http://www.calendarlive.com/movies/cl-ca-ingagi8jan08,2,3536535.story

2006-01-08




The Invisible World
Ackroyd, Peter. Rev. of The Invisible World. BBC 1. The Times 28 Oct. 1982. Rpt. in Ackroyd, The Collection. Ed. Thomas Wright. London: Chatto & Windus, 2001. 179-80.*

The Iron Mask
The Iron Mask. Based on the novel by Alexandre Dumas. With Douglas Fairbanks. 1929.
It Came from Outer Space.
It Came from Outer Space. Based on Ray Bradbury’s novel. 1953.

Ivanhoe (1952)


Jim Comes to Joburg (1949)
Maingard, Jacqueline. South African National Cinema. (National Cinemas). London: Routledge, 2007.*


The Killing
Casadesús Bordoy, Alejandro, and Eva Parra Membrives. "Lo que queda del sueño americano: The Killing y la reinterpretación del modelo social tras el 11-S." In La década del miedo: Dramaturgias audivisuales pos-11 de septiembre. Ed. Marta Fernández Morales. Bern: Peter Lang, 2013. 185-208.*
King Kong (1933)
Erish, Andrew. "Illegitimate Dad of King Kong." In Los Angeles Times CalendarLive.com 8 Jan. 2006.

http://www.calendarlive.com/movies/cl-ca-ingagi8jan08,2,3536535.story

2006-01-08

McGurl, Mark. “Making It Big: Picturing the Radio Age in King Kong.” Critical Inquiry 22.3 (Spring 1996): 415-45. *


The Knights of the Round Table (1953)

Lady Windermere’s Fan
Lady Windermere’s Fan. Film (voiceless), based on Oscar Wilde’s play. Cast: Ronald Colman, Mae McAvoy. USA.

Landfall
Landfall. Film. 1948. Based on Nevil Shute’s work.

La lengua de las mariposas
La lengua de las mariposas. Based on a story by Manuel Rivas, "La lengua de las mariposas", from ¿Qué me quieres, amor? Warner Sogefilms, 1999.

Lenny
Calvo, J. J. “Lenny subtitulado: el deslinde de un hito.” In Miscel-lània homenatge Enrique García Díez. Valencia: Universitat de Valencia / Consellería de Cultura, Educació i Ciència de la Generalitat Valenciana, 1991. 483-92.
The Life of Oscar Wilde. With Charles Laughton. USA, c. 1946.

El lince perdido
El lince perdido. DVD. Spain: Aurum / Alliance / Kandor Moon / Perro verde films, 2009.*
Lobo
(Spain, 2004. On ETA)
García Landa, José Angel. (Lobo, esquizofrénico). In García Landa, Blog de notas 16 Dec. 2004.

http://www.unizar.es/departamentos/filologia_inglesa/garciala/z04.html#actividadesbloguisticas

2006-07-08




The Longest Day. 1962. (Normandy).


Mapantsula (1988)
Maingard, Jacqueline. South African National Cinema. (National Cinemas). London: Routledge, 2007.*

The Mask (1932)

Modertjie (1931)
Maingard, Jacqueline. "2. Fictions of Nation: The Symbol of Sacrifice (1918), Sarie Marais (1931) and Modertjie (1931)." In Maingard, South African National Cinema. London: Routledge, 2007. 35-52.*

Murphy’s Romance
Thomas, Deborah. “Murphy’s Romance: Romantic Love and the Everyday.” In Terms of Endearment: Hollywood Romantic Comedy of the 1980s and 1990s. Ed. Peter William Evans and Celestino Deleyto. Edinburgh: Edinburgh UP, 1998. 57-74.*


Mystic River

Deleyto, Celestino, Luis M. García Mainar, Virginia Luzón and Juan Tarancón. "Interpretation Unlimited: Mystic River en Contexto(s)." Abstract. In Actas XXVIII Congreso Internacional / International Conference AEDEAN. CD-ROM. Valencia: U de València, 2005.*



'n Nasie Hou Koers (1940)
Maingard, Jacqueline. "3. Monuments to Nation: They Built a Nation (1938) and 'n Nasie Hou Koers (1940)." In Maingard, South African National Cinema. London: Routledge, 2007. 53-67.*

Nuit et brouillard
Lozano Aguilar, A. "Nuit et Brouillard (1955): De la Historia a la Memoria." In La memoria de los campos: El cine y los campos de concentración nazis. Ed. A. Lozano Aguilar. Valencia: Ediciones de la mirada, 1999. 69-92.


A Nymphoid Barbarian in Dinosaur Hell
Internet resources
"A Nymphoid Barbarian in Dinosaur Hell." Trailer. Vanity Fea 30 July 2012.

http://vanityfea.blogspot.com.es/2012/07/a-nymphoid-barbarian-in-dinosaur-hell.html

2012



Octopussy
Ackroyd, Peter. Rev. of Octopussy. The Spectator 18 June 1983. Rpt. in Ackroyd, The Collection. Ed. Thomas Wright. London: Chatto & Windus, 2001. 127-29.*

Persona
Boyd, David. Film and the Interpretive Process: A Study of Blow-Up, Rashomon, Citizen Kane, 8 1/2, Vertigo and Persona. (Ars interpretandi 1). New York: Peter Lang, 1989.*

The Philadelphia Story
Ruiz Pardos, Manuela. “Genre, History and Culture in the Screwball Comedies of the 1930s and Early 1940s: Holiday and The Philadelphia Story.” Proyecto de Investigación de Tercer Ciclo. Universidad de Zaragoza, Departamento de Filología Inglesa y Alemana, 1997.*

_____. Genre, History and Culture in the Screwball Comedies of the 1930s and early 1940s: Holiday and The Philadelphia Story. Ann Arbor: UMI, 1998.



The Picture of Dorian Gray. French film. Paris, 1920s.


The Picture of Dorian Gray. Hollywood film. Cast: George Sanders, Donna Reed, Hurt Hutfield.


A Private Function
Ackroyd, Peter. Rev. of A Private Function. Film. The Spectator 8 Dec. 1984. Rpt. in Ackroyd, The Collection. Ed. Thomas Wright. London: Chatto & Windus, 2001. 132-34.*

Quo Vadis (1951)
Quo Vadis. With Leo Genn.


Rebecca
Berenstein, Rhona J. “Adaptation, Censorship and Audiences of Questionable Type: Lesbian Sightings in Rebecca (1940) and The Uninvited (1944).” Cinema Journal 37.3 (Spring 1998): 16-37
Rebel without a Cause
Jacques, Richard, et al. Classic Movies: Rebel Without a Cause. Barcelona: RBA, 1994.

The Roaring Twenties



The Roaring Twenties. With James Cagney. Warner, 1939.


Safety Last
Safety Last. Film. With Harold Lloyd. 1923.

Sao Bernardo
Burton, Julianne. “The Politics of Aesthetic Distance: The Presentation of Representation in Sao Bernardo.” Screen 24.2 (March-June 1983).

Sarie Marais (1931)
Maingard, Jacqueline. "2. Fictions of Nation: The Symbol of Sacrifice (1918), Sarie Marais (1931) and Modertjie (1931)." In Maingard, South African National Cinema. London: Routledge, 2007. 35-52.*


Shark Tale



Shark Tale. DVD. Dreamworks Animation, 2005.*

Smoke
Frosh, Paul “Filling the Sight by Force: ‘Smoke’, Photography and the Rhetoric of Immobilization.” Textual Practice 12.2: 323-340.


Song of Africa (1951)
Maingard, Jacqueline. "5. All that Jazz: Representing Black Identities in Zonk! (1950) and Song of Africa (1951)." In Maingard, South African National Cinema. London: Routledge, 2007. 90-105.*

Stranger than Fiction
Denby, David. "What if? Wishing Things Were Otherwise." New Yorker 4 Dec. 2006. (Rev. of Deja Vu, Stranger than Fiction and Blood Diamond).

http://www.newyorker.com/critics/cinema/articles/061211crci_cinema


The Symbol of Sacrifice (1918)
Maingard, Jacqueline. "2. Fictions of Nation: The Symbol of Sacrifice (1918), Sarie Marais (1931) and Modertjie (1931)." In Maingard, South African National Cinema. London: Routledge, 2007. 35-52.*


Terminator
Terminator. With Arnold Schwarzenegger.

Terminator II. With Arnold Schwarzenegger.
Arnold, Robert F. “Termination or Transformation? The Terminator Films and Recent Changes in the U.S. Auto Industry.” Film Quarterly 52.1 (Fall 1998): 20-30.

Thaïs
Thaïs. Film based on Anatole France’s novel. With Mary Garden. 1918.

The Theory of Everything
The Theory of Everything. Based on ex wife Jane Wilde's memoir on Stephen Hawking. 2014.


They Built A Nation (1938)
Maingard, Jacqueline. "3. Monuments to Nation: They Built a Nation (1938) and 'n Nasie Hou Koers (1940)." In Maingard, South African National Cinema. London: Routledge, 2007. 53-67.*

The Trip
The Trip. With Peter Fonda and Dennis Hopper. 1967.

Tron
Bukatman, Scott. Terminal Identity: The Virtual Subject in Postmodern Science-Fiction. Durham (NC): Duke UP, 1993. 1998.*


Tsotsi (2005)
Maingard, Jacqueline. South African National Cinema. (National Cinemas). London: Routledge, 2007.*
Tudor Rose
Tudor Rose. 1936. (On Lady Jane Grey).

Ulees Gold
Ulees Gold. With Peter Fonda. 1997.

The Uninvited
Berenstein, Rhona J. “Adaptation, Censorship and Audiences of Questionable Type: Lesbian Sightings in Rebecca (1940) and The Uninvited (1944).” Cinema Journal 37.3 (Spring 1998): 16-37


The Valley of Gwangi. 1969.


Wall.E
García Landa, José Angel. "Wall.E." Rev. of the Disney Pixar film. In García Landa, Vanity Fea 3 Sept. 2008.

http://garciala.blogia.com/2008/090301-wall.e.php

2008


De Voortrekkers (1916)
Maingard, Jacqueline. "1. Colonizing ''Nation': De Voortrekkers (1916)." In Maingard, South African National Cinema. London: Routledge, 2007. 16-34.*

White Heat



White Heat. With James Cagney. Warner, 1949.

Wild Angels
Wild Angels. With Peter Fonda, Nancy Sinatra, Bruce Dern, Diane Ladd.
Wizard of Oz
Rushdie.The Wizard of Oz: A Short Text about Magic. London: BFI, 1992.

Written on the Wind
Orr, Christopher. “Closure and Containment: Marylee Hadley in Written on the Wind.” In Imitations of Life: A Reader on Film and Television Melodrama. Ed. Marcia Landy. Detroit: Wayne State UP, 1991. 380-87.
Zonk! (1950)
Maingard, Jacqueline. "5. All that Jazz: Representing Black Identities in Zonk! (1950) and Song of Africa (1951)." In Maingard, South African National Cinema. London: Routledge, 2007. 90-105.*


Zulu (1964)

Zulu Love Letter (2004)
Maingard, Jacqueline. South African National Cinema. (National Cinemas). London: Routledge, 2007.*


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