A bibliography of Literary Theory, Criticism and Philology



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A Bibliography of Literary Theory, Criticism and Philology

http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.html

by José Ángel García Landa

(University of Zaragoza, Spain)




William Faulkner (1897-1962)

(US southern writer, major modernist novelist and story writer; b. William Harrison Falkner in New Albany, Mississippi; l. Oxford, Lafayette county; Nobel Prize for Literature 1949; Pulitzer Prize 1955, 1962; d. Byhalia, Mississipi.)



Works
Faulkner, William. Soldiers' Pay. Novel. 1926.

_____. Soldiers' Pay. (Penguin Modern Classics). Harmondsworth: Penguin.

_____. Mosquitoes. 1927.

_____. Sartoris. Novel. 1929.

_____. The Sound and the Fury. Novel. 1929.

_____. The Sound and the Fury. New York, 1931.

_____. The Sound and the Fury. (Penguin Modern Classics). Harmondsworth: Penguin.

_____. The Sound and the Fury. Ed. David Minter. (Norton Critical Edition). New York: Norton, 1988.



_____. The Sound and the Fury. London: Vintage Books, 1995.

_____. The Sound and the Fury. New York: Random House-Vintage International.

_____. El ruido y la furia. (Narrativa actual: Clásicos del siglo XX; Literatura norteamericana). Barcelona: RBA, 1995.*

_____. El ruido y la furia. Trans. Ana Antón-Pacheco. (Clásicos del siglo XX, 18). Madrid: El País, 2002.*

_____. As I Lay Dying. Novel. 1930.

_____. As I Lay Dying. Harmondsworth: Penguin, 1986.

_____. As I Lay Dying. New York: Vintage, 1987.

_____. As I Lay Dying. New York: Random House-Vintage International.

_____. "A Rose for Emily." Forum 30 April 1930.

_____. "A Rose for Emily." In Faulkner, These 13. Stories. 1931.

_____. "A Rose for Emily." In Faulkner, Collected Stories. 1950.

_____. "A Rose for Emily." Online at English Literature Databank, Fu Jen University:

http://www.eng.fju.edu.tw/English_Literature/Rose/el-text-E-Rose.htm

2012


_____. "A Rose for Emily." In The Norton Introduction to Literature. 5th ed. Ed. Carl Bain et al. New York: Norton, 1991. 69-76.*

_____. "A Rose for Emily." 1930. In The Oxford Book of Gothic Tales. Ed. Chris Baldick. Oxford: Oxford UP, 1992. 1993. 322-30.*

_____. "A Rose for Emily." In Perrine's Literature: Structure, Sound, and Sense. By Thomas R. Arp and Greg Johnson. 8th ed. Boston (MA): Thomson Learning-Heinle & Heinle, 2002. 281-90.*

_____. "Una rosa para Emily." In Los cuentos de una vida: Antología del cuento universal. Ed Sergio Pitol. Barcelona and México: Plaza & Janés, 2002. 318-28.*

_____. Sanctuary. Novel. New York: Random House, 1931.

_____. Sanctuary. (Penguin Modern Classics). Harmondsworth: Penguin.

_____. Sanctuary. New York: Vintage, 1987.

_____. Pylon. Novel. 1935. New York: Vintage, 1987.*

_____. Absalom, Absalom! Harmondsworth: Penguin, 1936.

_____. Absalom, Absalom! (Penguin Modern Classics). Harmondsworth: Penguin.

_____. Absalom, Absalom! Introd. Harvey Breit. New York: Modern Library, 1951.

_____. Absalom, Absalom! London, 1995.

_____. Absalom, Absalom! New York: Random House-Vintage International.

_____. Light in August. Novel. 1932.

_____. Light in August. (Penguin Modern Classics). Harmondsworth: Penguin.

_____. Light in August. New York: Random House-Vintage International.

_____. The Wild Palms. Novel. 1939.

_____. The Wild Palms. New York: Vintage, 1949.

_____. The Wild Palms. Harmondsworth: Penguin, 1961.

_____. The Wild Palms. New York: Modern Library, 1984.*

_____. Les Palmiers sauvages. Trans. Maurice-Edgar Coindreau. Paris: Gallimard, 1952.

_____. "Old Man." From The Wild Palms. In Three Famous Short Novels by William Faulkner. New York: Random House-Vintage, 1961. 77-184.*

_____. The Hamlet. Novel. 1940. (Vol. 1 of the Snopes trilogy).

_____. The Hamlet. New York: Random House-Vintage International.

_____. "Spotted Horses." From The Hamlet. In Three Famous Short Novels by William Faulkner. New York: Random House-Vintage, 1961. 3-76.*

_____. "The Bear." In Three Famous Short Novels by William Faulkner. New York: Random House-Vintage, 1961. 185-316.*

_____. To Have and Have Not. Film script based on Hemingway's novel. 1945.

_____. The Big Sleep. Film script based on Raymond Chandler's novel. 1946.

_____. The Portable Faulkner. Ed. Malcolm Cowley. New York: 1946. 1954.

_____. Intruder in the Dust. Novel. 1948.

_____. Intruder in the Dust. (Penguin Modern Classics). Harmondsworth: Penguin.

_____. The Unvanquished. (Penguin Modern Classics). Harmondsworth: Penguin.

_____. The Unvanquished. New York: Random House-Vintage International.

_____. Go Down, Moses. Stories / novel. 1942. New York: Random House-Vintage, 1973.

_____. Go Down, Moses. New York: Random House-Vintage International.

_____. Intruder in the Dust. New York: Random House-Vintage International.

_____. "Barn Burning." Story. In The Norton Introduction to Literature. 5th ed. Ed. Carl Bain et al. New York: Norton, 1991. 316-34.

_____. Collected Stories of William Faulkner. New York: Random House, 1950.

_____. Requiem for a Nun. Novel. 1951.

_____. Requiem for a Nun. (Penguin Modern Classics). Harmondsworth: Penguin.

_____. "Nobel Prize Award Speech." 1949. In The Norton Reader. 8th ed. New York: Norton, 1992.

_____. A Fable. Novel. 1954.

_____. The Town. Novel. 1957. (Vol. 2 of the Snopes trilogy).

_____. La ciudad. Trans. José Luis López Muñoz. (Literatura Alfaguara). Madrid: Alfaguara, 1988.*

_____. The Mansion. Novel. 1959. (Vol. 3 of the Snopes trilogy).

_____. The Reivers. Novel. 1962.

_____. The Reivers. (Penguin Modern Classics). Harmondsworth: Penguin.

_____. The Reivers. New York: Random House-Vintage International.

_____. Essays, Speeches and Public Letters. London: Chatto, 1967.

_____. Mayday. Notre Dame: U of Notre Dame P, 1978.

_____. Selected Letters. Ed. Joseph Blotner. New York: Vintage, 1978.

_____. "12 poemas." Trans. Javier Marías. Poesía 5-6 (Madrid, 1979-80).

_____. "Delta Autumn." In Reading Narrative Fiction. By Seymour Chatman with Brian Attebery. New York: Macmillan, 1993.*

_____. "El otoño del delta." In Antología del cuento norteamericano. Ed. Richard Ford. Barcelona: Galaxia Gutenberg / Círculo de Lectores, 2002. 494-510.*

_____. "All the Dead Pilots." In Women, Men, and the Great War: An Anthology of Stories. Ed. Trudi Tate. Manchester: Manchester UP, 1995. 29-44.*

_____. Helen: A Courtship and Mississippi Poems. New Orleans: Tulane University / Yoknapatawpha Press, 1981.

_____. Humo. Madrid: Alianza (Alianza Cien).

_____. Obras completas. Madrid: Aguilar-Santillana, 2004.

_____. Ensayos y discursos. Capitán Swing, 2012.

Watson, James G, ed. Thinking of Home: William Faulkner's Letters to His Mother and Father, 1918-1925. New York: Norton, 1992.




Biography
Blotner, Joseph. Faulkner: Una biografía. Barcelona: Destino, 1994. (Excerpt in Quimera 125/6 (1994): 18-23.

Faulkner, John. My Brother Bill. London: Gollancz, 1964.

Gray, Richard. The Life of William Faulkner: A Critical Biography. Oxford: Blackwell, 1994. 1996.

Hart, J. D., and William Leininger. "William Faulkner." From The Oxford Companion to American Literature. In García Landa, Vanity Fea 8 Jan. 2015.*

http://vanityfea.blogspot.com.es/2015/01/william-faulkner.html

2015


Millgate, Michael. William Faulkner. Barcelona: Barral, 1972.

Wolff, Sally. Talking about William Faulkner: Interviews with Jimmy Faulkner and Others.




Criticism
Abad, Pilar. "Intertextual Interpretation: Faulkner's Waste Land: A Rhetorical Reading of As I Lay Dying." ES: Revista de Filologia Inglesa 19 (1996): 45-60.*

Adamowski, T. H. "Isaac McCaslin and the Wilderness Imagination." (Faulkner). Centennial Review 17 (1973): 92-112.

Adams, Richard. Faulkner: Myth and Motion. Princeton (NJ): Princeton UP, 1968.

Alvarez Calleja, Mª Antonia. "El declinar del Sur en 'A Rose for Emily', de William Faulkner." Epos 11 (1995): 345-54.*

Arend, Mary Kate. "Perhaps the Narrator Protests Too Much: Conditional Narration in Light in August." The Journal of Narrative Technique 25.3 (Fall 1995): 285-300.

Aswell, Duncan. "The Puzzling Design of Absalom, Absalom!" Kenyon Review 30 (1963): 67-84.

Barth, J. Robert. "Faulkner and the Calvinist Tradition." In Religious Perspectives in Faulkner's Fiction: Yoknapatawpha and Beyond. Ed. J. Robert Barth. Notre Dame: U of Notre Dame P, 1972. 11-34.

Benito Cardenal, L. C. "W. Faulkner, el discurso narrativo como práctica semiótica poética." In Actas del Primer Congreso de la Asociación Española de Estudios Anglo-Norteamericanos: Granada 15 al 17 de diciembre 1977. Granada: U de Granada, Facultad de Filosofía y Letras, Departamento de Filología Inglesa, 1978. 169-83.*

Bessière, Jean. "Carlos Fuentes Vis-à-Vis William Faulkner: Novel, Tragedy, History." The Faulkner Journal. 12.1/2 (Fall 1995/Spring 1996): 33-42.*

Blanco Outón, Cristina. "William Faulkner's 'Wash': A Study of the Last Days of the Old South." Revista de Estudios Norteamericanos (U of Sevilla) 4 (1995): 175-82.*

_____. "El tema de la soledad en la narrativa breve de William Faulkner: hacia una poética de Collected Stories." In The American Short Story: New Perspectives. Ed. C. González Groba et al. Universidade de Santiago de Compostela, 1997. 129-33.*

_____. "La maldición de Prometeo: Abner Snopes y otros rebeldes solitarios." In Actas del XXI Congreso Internacional AEDEAN. Ed. Fernando Toda et al. Sevilla: U de Sevilla, 1999. 127-33.*

_____. Introducción a la narrativa breve de William Faulkner. Santiago de Compostela: Universidad de Santiago de Compostela, Servicio de Publicaciones, 1999.

_____. "The Conflict between Woman and Community in Two Short Stories by William Faulkner." REDEN 8.14 (1997): 39-54.*

Bleikasten, A. The Ink of Melancholy: Faulkner's Novels from The Sound and the Fury to Light in August. 1990.

Blum, Irving B. "The Parallel Philosophy of Emerson's Nature and Faulkner's The Bear." ESQ: A Journal of the American Renaissance 13 (1958): 22-5.

Bockting, Ineke. "The Importance of Deixis and Attributive Style for the Study of Theory of Mind: The Example of William Faulkner’s Disturbed Characters." In Theory of Mind and Literature. Ed. Paula Leverage et al. Purdue UP, 2011. 175-86.

Boone, Joseph A. "Creation by the Father's Fiat: Paternal Narrative, Sexual Anxiety, and the Deauthorizing Designs of Absalom, Absalom!" 1989. In Feminisms. Ed. Robyn R. Warhol and Diane Price Herndl. Houndmills: Macmillan, n. d. 1068-86.*

Borges, Jorge Luis. "¡Absalom, Absalom! de William Faulkner." 1937. In Borges, Textos cautivos: Ensayos y reseñas en El Hogar. Ed. Enrique Sacerio Garí and Emir Rodríguez Monegal. Barcelona: Tusquets, 1986.*

_____. "The Unvanquished, de William Faulkner." 1938. In Borges, Textos cautivos: Ensayos y reseñas en El Hogar. Ed. Enrique Sacerio Garí and Emir Rodríguez Monegal. Barcelona: Tusquets, 1986.*

_____. "The Wild Palms, de William Faulkner." 1939. In Borges, Textos cautivos: Ensayos y reseñas en El Hogar. Ed. Enrique Sacerio Garí and Emir Rodríguez Monegal. Barcelona: Tusquets, 1986.*

_____. "An Unsigned Prologue." The Faulkner Journal. 12.1/2 (Fall 1995/Spring 1996): 11-12.*

Boyd, Michael. "William Faulkner's Absalom, Absalom!: Fiction as History." In Boyd, The Reflexive Novel. London: Associated UPs, 1983. 66-91.

Bradford, M. E. "Faulkner and the Jeffersonian Dream: Nationalism in 'Two Soldiers' and 'Shall Not Perish'." Mississippi Quarterly 18 (1965): 94-100.

Branny, Grazyna. "The Sound and the Fury and the Fear of Miscegenation: Re-Defining the Theme of the Novel." In XVIII Congreso de AEDEAN (Alcalá de Henares, 15-17 diciembre 1994). Ed. Ricardo J. Sola, Luis A. Lázaro and José A. Gurpegui. Alcalá: Servicio de Publicaciones de la Universidad de Alcalá, 1997. 537-42.*

Bravo, María Elena. Faulkner en España. Barcelona: Península, 1985.

Brodhead, Richard H., ed. Faulkner: A Collection of Critical Essays. Englewood Cliffs (NJ): Prentice, 1983.

Brogunier, Joseph. "A Source for the Commissary Entries in Go Down, Moses." Texas Studies in Literature and Language 14 (1972): 545-54.

Brooks, Cleanth. The Hidden God: Studies in Hemingway, Faulkner, Eliot, and Warren. 1963.

_____. William Faulkner: The Yoknapatawpha Country. New Haven: Yale UP, 1963.

_____. "Faulkner's Vision of Good and Evil." In Religious Perspectives in Faulkner's Fiction: Yoknapatawpha and Beyond. Ed. J. Robert Barth. Notre Dame: U of Notre Dame P, 1972.

_____. William Faulkner: Toward Yoknapatawpha and Beyond. 1978.

_____. On the Prejudices, Predilections, and Firm Beliefs of William Faulkner.

Brumm, Ursula. "Some Thoughts on Faulkner's 'Racism'." Connotations 6.1 (1996-97): 98-102.*

Caracciolo, Marco. "5. Fictional Consciousness: From Attribution to Enactment." In Caracciolo, The Experientiality of Narrative. Berlin and Boston: De Gruyter, 2014. 110-30.* (Consciousness Attribution; Enacting Benjy: A Slow-Motion Analysis; Consciousness Enactment)

Caraher, Brian. "Southern Gothic, Hypocrisy and Modernist Melodrama: William Faulkner's As I Lay Dying and Flannery O'Connor's Wise Blood." In Caraher, Trespassing Tragedy: Melodramas of Horror. Houndmills: Macmillan, 2000.

Carothers, James B. William Faulkner's Short Stories. Ann Arbor: UMI Research Press, 1985.

Chase, Richard. "Faulkner: The Great Years." In Chase, The American Novel and Its Tradition. Garden City (NY): Doubleday-Anchor, 1957. 205-36.*

_____. "Sanctuary vs. The Turn of the Screw." In Chase, The American Novel and Its Tradition. Garden City (NY): Doubleday-Anchor, 1957. 237-42.*

Cleman, John L. "'Pantaloon in Black': Its Place in Go Down, Moses." Tennessee Studies in Literature 22 (1977): 170-81.

Coffee, Jessie McGuire. Faulkner's Un-Christianlike Christians: Biblical Allusion in the Novels. Ann Arbor: UMI Research Press, 1971.

Cohen, Tom. "Miss Emily, c'est moi: The Defacement of Modernism in Faulkner (Inscription and Social Form)." In Cohen, Anti-Mimesis from Plato to Hitchcock. Cambridge: Cambridge UP, 1994. 208-26.*

Couturier, Maurice. La Figure de l'auteur. Paris: Seuil, 1995.*

Cowley, Malcolm. "William Faulkner: His Saga." Introd. to The Portable Faulkner. 1946, In The Portable Malcolm Cowley. New York: Viking Penguin, 1990. 327-47.*

_____. "William Faulkner: An Afterword." 1966. In The Portable Malcolm Cowley. New York: Viking Penguin, 1990. 348-65.*

_____. "Faulkner, William." Encyclopaedia Britannica.

Cox, Leland H., ed.William Faulkner: Critical Collection. Detroit: Gale Resarch, 1982.

Cowley, Malcolm. The Faulkner-Cowley File: Letters and Memories 1944-1962. New York: Viking, 1966.

_____. The Faulkner / Cowley File: Letters and Memories, 1944-1962. Harmondsworth: Penguin, 1978.

Crabtree, Claire. "Interior Frontiers in Faulkner's The Bear and Toni Morrison's Beloved." BAS (1997): 132-38.*

Creighton, Joanne V. William Faulkner's Craft of Revision: The Snopes Trilogy, The Unvanquished, and Go Down, Moses. Detroit: Wayne State UP, 1977.

Dahlgren Thorsell, Marta. "From Narratology to Pragmatics: Narrators, Focalizers and Reflectors in some Works by William Faulkner." Babel-afial: Aspectos de filología inglesa y alemana 2 (1993): 89-99.*

http://dialnet.unirioja.es/servlet/articulo?codigo=3049966

2009


Davis, Thadious M. Faulkner's 'Negro': Art and the Southern Context. Baton Rouge: Louisiana State UP, 1983.

Davis, Walter S. The Act of Interpretation. 1978. ("The Bear").

Delay, Florence, and Jacqueline de Labriolle. "Is García Márquez the Colombian Faulkner?" The Faulkner Journal. 12.1/2 (Fall 1995/Spring 1996): 119-38.*

Denniston, Dorothy L. "Faulkner's Image of Blacks in Go Down, Moses." Pylon 44 (1983): 33-43.

Derrick, Paul Scott. "Go Down, Moses: An Essay in (Extended) Coherence." Revista de Estudios Norteamericanos (U of Sevilla) 4 (1995): 358-80.*

DeShong, Scott. "Toward and Ethics of Reading Faulkner's Sanctuary." The Journal of Narrative Technique 25.3 (1995): 238-257.*

Díaz, Mª Eugenia. "The Novel Ahead of Its Time: Absalom, Absalom! on the Boundary of Anti-Realism." In Studies in American Literature: Essays in Honor of Enrique García Díez. Ed. Antonia Sánchez Macarro. Valencia: Universitat de València, Facultat de Filologia, 1991. 137-56.*

_____. "The significance of Adamic Analogies in the Interpretation of Sutpen's Design." In Critical Essays on the Myth of the American Adam. Ed. Viorica Patea and Maria Eugenia Díaz. Salamanca: Ediciones U de Salamanca, 2001. 181-94.*

Dunleavy, Linda. "Sanctuary, Sexual Difference and the Problem of Rape." Studies in American Fiction 24.2 (1996): 171-92.*

Eguíluz, Federico. "The Sound and the Fury: Algunas claves para su lectura." REDEN 6 (1993): 5-20.*

Everett, Walter K. Faulkner's Art and Characters. New York: Barron's Educational Series, 1969.

Faber, Pamela. "Narrative Photography in Faulkner's 'A Rose for Emily'." XIV Congreso de AEDEAN. Bilbao: Servicio Editorial de la Universidad del País Vasco, 1992. 189-96.

Ferguson, James B. Faulkner's Short Fiction. Knoxville: Tennessee UP, 1991.

Foster, Dennis A. "Love's Androgynous Advocates: Design and Desire in Absalom, Absalom!" In Foster, Confession and Complicity in Narrative. Cambridge: Cambridge UP, 1987. 78-104.*

Foster, G. "Freud, Faulkner, Caruth: Trauma and The Politics of Literary Form." Narrative 15.3 (2007): 259-285.

Fowler, Doreen. Faulkner’s Changing Vision: From Outrage to Affirmation.

_____. Faulkner: The Return of the Repressed. Charlottesville: UP of Virginia, 1997. 2000.*

Frisch, Mark. "Nature, Postmodernity, and Real Marvelous: Faulkner, Quiroga, Mallea, Rulfo, Carpentier." The Faulkner Journal. 12.1/2 (Fall 1995/Spring 1996): 67-82.*

Frohriep, Susanne. Innovation und Tradition: Stilistische Kreativität in der Erzählkunst William Faulkners. (Kieler Beiträge zur Anglistik und Amerikanistik, neue Folge, 15). Würzburg: Verlag Königshausen & Neumann.

Fuentes, Carlos. "The Novel as Tragedy: William Faulkner." The Faulkner Journal. 12.1/2 (Fall 1995/Spring 1996): 13-32.*

García Díez, Enrique. "Mink's Sense of Honour in Faulkner's The Mansion." Atlantis 2.2 (1981).

García Landa, José Angel. "Reflexivity in the Narrative Technique of As I Lay Dying." English Language Notes 27.4 (Boulder, Colorado, 1990): 63-72. *

http://www.colorado.edu/journals/eln/

_____. "Reflexivity in the Narrative Technique of As I Lay Dying." iPaper at Academia.edu 17 April 2010.*

http://unizar.academia.edu/Jos%C3%A9AngelGarc%C3%ADaLanda/Papers/163220/Reflexivity-in-the-Narrative-Technique-of-AS-I-LAY-DYING

2010


_____. "Reflexivity in the Narrative Technique of As I Lay Dying." Online PDF at Social Science Research Network 17 April 2010.*

http://ssrn.com/abstract=1591364

2010

_____. "Reflexivity in the Narrative Technique of As I Lay Dying." Online PDF at Zaguán 17 April 2010.*



http://zaguan.unizar.es/record/4547

2010


_____. "Reflexivity in the Narrative Technique of As I Lay Dying." In García Landa, Vanity Fea 17 April 2010.*

http://vanityfea.blogspot.com/2010/04/reflexivity-in-narrative-technique-of.html

2010

_____. "Reflexivity in the Narrative Technique of As I Lay Dying." Online PDF at ResearchGate 3 Oct. 2011.*



http://www.researchgate.net/publication/44277556_Reflexivity_in_the_Narrative_Technique_of_AS_I_LAY_DYING

2011


García Mainar. "William Faulkner's The Sound and the Fury: The Status of the Popular in Modernism." Revista Alicantina de Estudios Ingleses 12 (Nov. 1999): 61-74.*

García Márquez, Gabriel. "Gabriel García Márquez on William Faulkner." In Mutual Impressions: Writers from the Americas Reading One Another. Ed. Ilan Stavans. Durham (NC): Duke UP, 1999. 85-86.*

Ginés, Montserrat. The Southern Inheritors of Don Quixote. Baton Rouge: Louisiana State UP, 2000. (Faulkner, Twain, etc.)

Godden, Richard. "Absalom Absalom!, Haiti and Labor History: Reading Unreadable Revolutions." ELH (1994).*

_____. Fictions of Labor: William Faulkner and the South's Long Revolution. (Cambridge Studies in American Literature and Culture, 108). Cambridge: Cambridge UP, c. 1998.

Goellner, Ellen "By Word of Mouth: Narrative Dynamics of Gossip in Faulkner's Light in August." Narrative 1.2 (1993): 105-123.*

Gray, Richard. "Hemingway and Faulkner." (From Richard Gray, A History of American Literature). In García Landa, Vanity Fea 18 Dec. 2012.*

http://vanityfea.blogspot.com.es/2012/12/hemingway-and-faulkner.html

2012

Gresset, Michel. "Le 'parce que' chez Faulkner et le 'donc' chez Beckett." Les Lettres nouvelles 19 (Nov. 1961).



_____. Fascination: Faulkner's Fiction 1919-1936. Trans. Thomas West. Durham: Duke UP, 1989.

Guerard, Albert J. The Triumph of the Novel: Dickens, Dostoievsky, Faulkner. New York: Oxford UP, 1976.

Hahn, Stephen, and Arthur F. Kinney, eds. Approaches to Teaching Faulkner's The Sound and the Fury. New York: MLA, 1996.

Harrington, Evan, and Ann J. Abadie, eds. The South and Faulkner's Yoknapatawpha: The Actual and the Apocryphal. Jackson: UP of Mississippi, 1979.

Harris, Paul A. "Fractal Faukner: Scaling Time in Go Down, Moses. " Poetics Today 14.4 (1993): 625-652.*

Harrison, R. Aviation Lore in Faulkner. 1985.

Hays, Peter L. "Racial Predestination: The Elect and the Damned in Light in August." ELH 23.2 (December 1995): 62-69.*

Hlavsa, V. V.  "The Mirror, the Lamp, and the Bed: Faulkner and the Modernists." American Literature 57.1 (1985): 23-43.

Hochberg, Mark R. "The Unity of Go Down, Moses." Tennessee Studies In Literature 21 (1976): 58-67.

Hoffman, Daniel. "William Faulkner: 'The Bear'." In Landmarks of American Writing. Ed. Hennig Cohen. Washington: Voice of America (Forum Series), 1969. 383-96.*

Hoffman, Frederick J., and Olga W. Vickery, eds. William Faulkner: Three Decades of Criticism. Ann Arbor: Michigan State UP, 1960.

Holland, Norman. 5 Readers Reading. New Haven: Yale UP, 1975.

Holman, C. Hugh. Three Modes of Modern Southern Fiction: Ellen Glasgow, William Faulkner, Thomas Wolfe. Athens: U of Georgia P, 1966.

Hönnighausen, Lothar. "Myhtic Sex in Mississippi: Eula and Ike Snopes." Connotations 5.2/3 (1995/96): 276-83.*

_____, ed. Faulkner's Discourse: An International Symposium. Tübingen: Niemeyer, 1989.

Howe, Irving. William Faulkner: A Critical Study. 1952. New York: Vintage, 1962.

_____. "Faulkner and the Negroes." In Faulkner: A Collection of Critical Essays. Ed. Richard H. Brodhead. Englewood Cliffs (NJ): Prentice, 1983.

Hunt, John W. William Faulkner: Art in Theological Tension. Syracuse: Syracuse UP, 1965.

Irwin, John T. Doubling and Incest / Repetition and Revenge: A Speculative Reading of Faulkner. Baltimore: Johns Hopkins UP, 1975.

Iser, Wolfgang. "Perception, Temporality, and Action as Modes of Subjectivity. W. Faulkner: The Sound and the Fury." In Iser, The Implied Reader. Baltimore: Johns Hopkins UP, 1974. 136-51.

James, Stuart. "The Ironic Voices of Faulkner's Go Down, Moses." South Dakota Review 16 (1978): 80-101.

Jehlen, Myra. Class and Character in Faulkner's South. New York: Columbia UP, 1976.

Johnson, Roberta. "William Faulkner and Miguel Delibes: The Art of the Story Teller." ES 2 (1972): 93-111.

Kang, Hee. "A New Configuration of Faulkner's Feminine: Linda Snopes Kohl in The Mansion." Faulkner Journal 8.1 (1992): 21-42.

Kartiganer, Donald M. The Fragile Thread: The Meaning of Form in Faulkner's Novels. Amherst: U of Massachusetts P, 1979.

Kazin, Alfred. "William Faulkner: The Stillness of Light in August." 1957. In Kazin, Contemporaries. London: Secker, 1963. 130-50.

_____. "William Faulkner: More Snopeses." 1957. In Kazin, Contemporaries 150-5.

_____. "William Faulkner: The Short Stories." 1961. In Kazin, Contemporaries 154-8.

_____. "The Secret of the South: Faulkner to Percy." In Kazin, Bright Book of Life: American Novelists and Storytellers from Hemingway to Mailer. (An Atlantic Monthly Press Book). Boston: Little, Brown, 1973. 21-68.*

Kinney, Arthur F. Faulkner's Narrative Poetics: Style as Vision. Amherst: U of Massachusetts P, 1978.

_____. "Faulkner and Racial Mythology." Connotations 5.2/3 (1995/96): 259-75.*

Ladd, Barbara. Nationalism and the Color Line in George W. Cable, Mark Twain, and William Faulkner. Baton Rouge: Lousiana State UP, 1997.

Lamarca Margalef, Jordi. William Faulkner: Movimiento, cambio y modificación. Barcelona: PPU, 1989.

_____. "Consideraciones en torno a la semblanza biográfica de William Faulkner en España." Bells 1 (1989): 105-16.*

Larbaud, Valery. "Un roman de William Faulkner." In Larbaud, Ce vice impuni, la lecture… Domaine anglais. Paris: Gallimard-NRF, 1936. 218-20.*

Lester, C. "From Place to Place in The Sound and the Fury: The Syntax of Interrogation." MFS: Modern Fiction Studies 34.2 (1988): 141-55.

http://muse.jhu.edu/journals/mfs/summary/v034/34.2.lester.html

2014

Lombardo, A., ed. The Artist and His Masks: William Faulkner's Metafiction. 1991.

Lind, Ilse Dusoir. "Design and Meaning in Absalom, Absalom!" In William Faulkner: Three Decades of Criticism. Ed. Frederick J. Hoffman and Olga Vickery.  New York: Harcourt, 1963. 278-304.

Lucente, Gregory. The Narrative of Realism and Myth: Verga, Lawrence, Faulkner, Pavese. Baltimore: Johns Hopkins UP, 1981.

Malin, Irving. William Faulkner: An Interpretation. Stanford: Stanford UP, 1957.

Manzanas Calvo, Ana María. "Joe Christmas and the Tantalizing Knowledge of the Female." Actas del XV Congreso de AEDEAN. Logroño: Colegio Universitario de La Rioja, 1993. 65-9.*

Marías, Javier. "William Faukner a caballo." In Marías, Vidas escritas. Madrid: Siruela, 1992. 17-20.*

_____. Si yo amaneciera otra vez: William Faulkner, un entusiasmo, de Javier Marías, y un viaje de Manuel Rodríguez Rivero. [With poems by William Faulkner translated by Javier Marías]. Madrid: Alfaguara, 1997.*

_____. Faulkner y Nabokov: Dos maestros. DeBols!lllo, 2009.

Marichalar, Antonio. "William Faulkner." Revista de Occidente 146-7 (1993): 75-82.

Márquez, Antonio C. (U of New Mexico, Alburquerque) "Faulkner in Latin America." The Faulkner Journal. 12.1/2 (Fall 1995/Spring 1996): 83-100.*

Mayoux, Jean-Jacques. "The Creation of the Real in William Faulkner." Trans. Frederick J. Hoffman. In William Faulkner: Three Decades of Criticism.  Ed. Frederick J. Hoffman and Olga Vickery. New York: Harcourt, 1963. 156-72.*

McMillen, Neil R., and Noel Polk. "Faulkner on Lynching." Faulkner Jounral 8.1 (1992): 3-14.

Mellard, James M. "The Biblical Rhythm of Go Down, Moses." Mississippi Quarterly 20 (1967): 135-47.

_____. "The Tetrad and the Ironic Moment: Tropology and Emplotment in Absalom, Absalom!" In Mellard, Doing Tropology. Urbana: U of Illinois P, 1987. 91-141.*

Meriwether, James B., and Michael Millgate, eds. Lion in the Garden: Interviews with William Faulkner, 1926-1962. 1968. Lincoln: U of Nebraska P, 1980.

Miller, J. Hillis. "The Two Relativisms: Point of View and Indeterminacy in the Novel: Absalom, Absalom! In Relativism in the Arts. Ed. Betty Jean Craige. Athens: U of Georgia P, 1983. 148-70.

_____. Topographies. Stanford: Stanford UP, 1995.

Milloy, Sandra D. "Faulkner's Lucas: An 'Arrogant, Intractable, and Insolent Old Man'." CLA Journal 28 (1984): 393-405.

Monteiro, George. "Bankruptcy in Time: A Reading of William Faulkner's Pylon." Twentieth Century Literature 4 (Apr.-July 1958).

_____. "The Limits of Professionalism: A Sociological Approach to Faulkner, Fitzgerald, and Hemingway." Criticism 15 (Spring 1973).

Moreland, R. "Faulkner and Modernism." In Cambridge Companion to William Faulkner. Ed. P. Weinstein. New York: Cambridge UP, 1998.

Muñoz Molina, Antonio. "El hombre habitado por las voces." 1991. In El ensayo español: Siglo XX. Ed. Jordi Gracia and Domingo Ródenas. Barcelona: Crítica, 2009. 925-35.* (Faulkner).

Nalbantian, Suzanne. "5. Woolf, Joyce and Faulkner: Associative Memory." In Nalbantian, Memory in Literature: From Rousseau to Neuroscience. Houndmills: Palgrave Macmillan, 2003. 77-99.*

O'Connor, William Van. "The Wilderness Theme in Faulkner's 'The Bear'." In William Faulkner: Three Decades of Criticism. Ed. Frederick J Hoffman and Olga W. Vickery. Ann Arbor: Michigan State UP, 1960. 322-31.

Onega Jaén, Susana. Análisis estructural, método narrativo y sentido de The Sound and the Fury de William Faulkner. Zaragoza: Pórtico, 1979.*

_____. "Niveles de introspección en The Sound and the Fury." Actas de los V Encuentros de Literatura Norteamericana. Ed. Manuel Górriz Villarroya. Teruel: Colegio Universitario de Teruel, Departamento de Inglés, 1986. 33-50.*

Paddock, Lisa Olson. Contrapuntal in Integration: A Study of Three Faulkner Short Story Volumes. International Scholars Publications-Eurospan, 1998.

Peary, Chales D. Go Slow, Now: Faulkner and the Race Question. Eugene: U of Oregon Books, 1971.

Parker, Jo Alyson. "Strange Attractors in Absalom! Absalom!" In Reading Matters: Narrative in the New Media Ecology. Ed. Joseph Tabbi and Michael Wutz. Ithaca (NY): Cornell UP, 1997. 99-118.*

Parker, Robert Dale. Faulkner and the Novelistic Imagination. Urbana: U of Illinois P, 1985.

Pavese, Cesare. "William Faulkner." In Pavese, La literatura norteamericana y otros ensayos. Barcelona: Ediciones B, 1987. 185-88.

Pearce, Richard. The Politics of Narration: James Joyce, William Faulkner, and Virginia Woolf. (Reviewed by Bonnie Kime Scott). James Joyce Quaterly 31.2 (1994) *

Pennock, Barry. "The Compsons and the Bundrens: Two Families or One?" In Studies in American Literature: Essays in Honor of Enrique García Díez. Ed. Antonia Sánchez Macarro. Valencia: Universitat de València, Facultat de Filologia, 1991. 127-36.

Perluck, Herbert A. "'The Bear': An Unromantic Reading." In Religious Perspectives in Faulkner's Fiction: Yoknapatawpha and Beyond. Ed. J. Robert Barth. Notre Dame: U of Notre Dame P, 1972. 173-98.

Perry, Menakhem. "Literary Dynamics: How the Order of a Text Creates Its Meaning, with an Analysis of Faulkner's 'A Rose for Emily'." Poetics Today 1.1-2 (1979): 35-64-311-61.

Peters, John G. "Repudiation, Wilderness, Birthright: Reconciling Conflicting Views of Faulkner's Ike McCaslin." English Language Notes 23.3 (March 1996): 39-46.*

Pilkington, John. "Nature's Legacy to William Faulkner." In The South and Faulkner's Yoknapatawpha: The Actual and the Apocryphal. Ed. Evan Harrington and Ann J. Abadie. Jackson: UP of Mississippi, 1979. 104-27.

Pouillon, Jean. Temps et roman. (NRF; La jeune philosophie, 3). 7th ed. Paris: Gallimard, 1946.* (I. La compréhension des personnages: 1. Roman et psychologie. 2. Les modes de la compréhension. II. L'expression du temps: 1. La contingence. Les romans de la durée. Les romans de la destinée. Temps et destinée chez Faulkner).

_____. Tiempo y novela. Buenos Aires: Paidos, 1970.*

Prego, Omar. "William Faulkner and Juan Carlos Onetti: Revisiting some Critical Approaches about a Literary Affinity." The Faulkner Journal. 12.1/2 (Fall 1995/Spring 1996): 139-45.*

Railey, Kevin, ed. Natural Aristocracy: History, Ideology, and the Production of William Faulkner. Tuscaloosa: U of Alabama P, 1999.*

Reed, Joseph W. Faulkner's Narrative.

Richardson, Brian. "Modernism's Unlikely Stories: Necessity, Chance, and Death in Nostromo, Light in August, and Invisible Man." In Richardson, Unlikely Stories: Causality, Ideology, and Interpretation in Modern Narrative. Newark: U of Delaware Press; London: Associated University Presses, 1997. 111-27.*

Rimmon-Kenan, Shlomith. "From Reproduction to Production: The Status of Narration in Faulkner's Absalom, Absalom!" Degrés 16 (1978).

Rio-Jelliffe, R. "The Language of Time in Fiction: A Model in Faulkner's 'Barn Burning'." Journal of Narrative Technique 24.2 (1994): 98-113.*

Roberts, Diane. Faulkner and Southern Womanhood. Athens: U of Georgia P, 1994. Rev. in Studies in American Fiction 23.1 (1995).

Rodríguez de Lera, Juan Ramón. "Ecos faulknerianos en La hojarasca de Gabriel García Márquez." In AEDEAN: Proceedings of the 23rd International Conference (León, 16-18 de diciembre, 1999). CD-ROM. León: AEDEAN, 2003.*

Rollyson, Carl E. "Faulkner as Historian: The Commissary Books in Go Down, Moses." Markham Review 7 (1978): 31-6.

_____. Uses of the Past in the Novels of William Faulkner. International Scholars Publications-Eurospan, 1998.

"A Rose for Emily." SparkNotes

http://www.sparknotes.com/short-stories/a-rose-for-emily/

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Ross, Stephen M. "'Voice' in Narrative Texts: The Example of As I Lay Dying". PMLA 94 (1979).

_____. Fiction's Inexhaustible Voice: Speech and Writing in Faulkner. Athens: U of Georgia P, 1989.

Rouberol, Jean. L' Esprit du Sud dans l'œuvre de Faulkner. Paris: Didier, 1982.

Sánchez-Pardo González, Esther. "Obscenidad y políticas del 'free speech' en el modernismo: el caso de Sanctuary de Faulkner." In AEDEAN: Proceedings of the 23rd International Conference (León, 16-18 de diciembre, 1999). CD-ROM. León: AEDEAN, 2003.*

Sartre, Jean-Paul. "Sartoris par W. Faulkner." In Sartre, Situations, I.  Paris: Gallimard, 1947. 7-13.

_____. "A propos de Le Bruit et la Fureur. La temporalité chez Faulkner." In Sartre, Situations, I 65-75.

Saunders, Rebecca. "On Lamentation and the Redistribution of Possessions: Faulkner's Absalom, Absalom! and the New South." Modern Fiction Studies 42.3 (Winter 1996): 730-62.*

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Schneiderman, Leo. The Literary Mind: Studies in Psychoanalysis and Literature. New York: Human Sciences Press, 1988.

Scoblionko, Andrew. "Subjectivity and Homelessness in Soldier's Pay." Faulkner Journal 8.1 (1992): 61-72.

Selzer, John L. "'Go Down, Moses' and Go Down, Moses." Studies in American Fiction 13 (1985): 89-96.

Skei, Hans. William Faulkner: the Novelist as Short Story Writer. Oslo: Publications of the American Institute, University of Oslo, 1985.

Skinfill, Mauri. "Reconstructing Class in Faulkner's Late Novels: The Hamlet and the Discovery of Capital." Studies in American Fiction 24.2 (Autumn 1996): 151-70.*

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Stoneback, H. R. "Faulkner's Blues: 'Pantaloon in Black'." Modern Fiction Studies 21 (1975): 241-6.

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Taylor, Walter. "Faulkner's Pantaloon: The Negro Anomaly at the Heart of Go Down, Moses." American Literature 44 (1972): 430-44.

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Turner, Darwin T. "Faulkner and Slavery." In The South and Faulkner's Yoknapatawpha. Ed. Harrington and Abadie. 62-85.

_____. "Faulkner and Race." In The South and Faulkner's Yoknapatawpha. Ed. Harrington and Abadie. 91-95.

Valente, Luis Fernando. (Brown U) "Marriages of Speaking and Hearing: Mediation and Response in Absalom, Absalom! and Grande Sertâo: Veredas." (José Guimarâes Rosa) The Faulkner Journal. 12.1/2 (Fall 1995/Spring 1996): 149-64.*

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_____. 'The Wild Palms and Las Palmeras Salvajes: The Southern Counterpoint Faulkner/Borges." The Faulkner Journal. 12.1/2 (Fall 1995/Spring 1996): 165-80.*

_____, ed. A Latin American Faulkner. Special issue of The Faulkner Journal. 12.1/2 (Fall 1995/Spring 1996. Pub. winter 1996).

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_____. What Else but Love: The Ordeal of Race in Faulkner and Morrison. New York: Columbia UP, 1997.

_____, ed. The Cambridge Companion to William Faulkner. Cambridge: Cambridge UP, 1995.*

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Bibliography

García Landa, José Angel. "William Faulkner." From A Bibliography of Literary Theory, Criticism and Philology. Online at Smart Whad (2015).*

http://smart.whad.org/a-bibliography-of-literary-theory-criticism-and-philology-v8

2015


Films
The Big Sleep. Dir. Howard Hawks. Cast: Humphrey Bogart, Lauren Bacall, John Ridgely, Martha Vickers, Louis Jean Heydt, Regis Toomey, Peggy Knudsen, Dorothy Malone, Bob Steele, Elisha Cook, Jr. Screenplay by William Faulkner, Jules Furthman and Leigh Brackett. B/w. USA, 1946. Reissued in computer-colored version.
Internet resources

"The Sound and the Fury." Wikipedia: The Free Encyclopedia.*

https://en.wikipedia.org/wiki/The_Sound_and_the_Fury

2015

Journals
The Faulkner Journal



Dawn Trouard, Managing Editor

Department of English

Buchtel College of Arts and Sciences

Akron, OH 44325-1906

USA

Tel. 216-972-7470



Fax 216-972-6990
Video

Dimock, Wai Chee. Hemingway, Fitzgerald, Faulkner. Video lecture courses at YouTube (Yale Courses).*

http://www.youtube.com/playlist?list=PL84C3A4DD9C263D79

2012


_____. "3. Faulkner – As I Lay Dying." Video lecture. YouTube (YaleCourses) 5 April 2012.*

http://youtu.be/ax1QzmclDT0



2012


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